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目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
Suite No. 1 in G Major, BWV 1007：I. Praeludium | 00:02:40 11M |
| 2 | Suite No. 1 in G Major, BWV 1007：II. Allemande | 00:04:35 19M |
| 3 | Suite No. 1 in G Major, BWV 1007：III. Courante | 00:02:39 11M |
| 4 | Suite No. 1 in G Major, BWV 1007：IV. Sarabande | 00:02:41 10M |
| 5 | Suite No. 1 in G Major, BWV 1007：V. Menuets I & II | 00:03:13 12M |
| 6 | Suite No. 1 in G Major, BWV 1007：VI. Gigue | 00:01:48 7M |
| 7 | Cello Suite No. 3 in C Major, BWV 1009：I. Prélude | 00:03:57 17M |
| 8 | Cello Suite No. 2 in D Minor, BWV 1008：II. Allemande | 00:03:43 16M |
| 9 | Cello Suite No. 2 in D Minor, BWV 1008：III. Courante | 00:02:05 9M |
| 10 | Cello Suite No. 2 in D Minor, BWV 1008：IV. Sarabande | 00:04:25 18M |
| 11 | Cello Suite No. 2 in D Minor, BWV 1008：V. Menuets I & II | 00:02:49 12M |
| 12 | Cello Suite No. 2 in D Minor, BWV 1008：VI. Gigue | 00:02:46 12M |
| 13 | Cello Suite No. 3 in C Major, BWV 1009：I. Praeludium | 00:03:54 16M |
| 14 | Cello Suite No. 3 in C Major, BWV 1009：II. Allemande | 00:03:58 16M |
| 15 | Cello Suite No. 3 in C Major, BWV 1009：III. Courante | 00:03:06 13M |
| 16 | Cello Suite No. 3 in C Major, BWV 1009：IV. Sarabande | 00:03:36 14M |
| 17 | Cello Suite No. 3 in C Major, BWV 1009：V. Bourrées I & II | 00:03:34 15M |
| 18 | Cello Suite No. 3 in C Major, BWV 1009：VI. Gigue | 00:03:22 14M |
| 19 | Cello Suite No. 4 in E-flat, BWV 1010：I. Prelude | 00:04:34 18M |
| 20 | Cello Suite No. 4 in E-flat, BWV 1010：II. Allemande | 00:04:36 19M |
| 21 | Cello Suite No. 4 in E-flat, BWV 1010：III. Courante | 00:03:26 14M |
| 22 | Cello Suite No. 4 in E-flat, BWV 1010：IV. Sarabande | 00:04:01 16M |
| 23 | Cello Suite No. 4 in E-flat, BWV 1010：V. Bourrées I & II | 00:04:56 20M |
| 24 | Cello Suite No. 4 in E-flat, BWV 1010：VI. Gigue | 00:02:51 12M |
| 25 | Cello Suite No. 5 in C Minor, BWV 1011：I. Prelude | 00:06:10 27M |
| 26 | Suite No. 5 in C Minor, BWV 1011：II. Allemande | 00:05:40 24M |
| 27 | Suite No. 5 in C Minor, BWV 1011：III. Courante | 00:02:24 10M |
| 28 | Suite No. 5 in C Minor, BWV 1011：IV. Sarabande | 00:02:54 11M |
| 29 | Suite No. 5 in C Minor, BWV 1011：V. Gavottes I & II | 00:04:43 20M |
| 30 | Suite No. 5 in C Minor, BWV 1011：VI. Gigue | 00:02:11 9M |
| 31 | Cello Suite No. 6 in D Major, BWV 1012：I. Prélude | 00:04:33 21M |
| 32 | Cello Suite No. 6 in D Major, BWV 1012：II. Allemande | 00:07:28 33M |
| 33 | Cello Suite No. 6 in D Major, BWV 1012：III. Courante | 00:03:48 16M |
| 34 | Cello Suite No. 6 in D Major, BWV 1012：IV. Sarabande | 00:04:37 21M |
| 35 | Cello Suite No. 6 in D Major, BWV 1012：V. Gavotte I – Gavotte II – Gavotte I | 00:04:28 21M |
| 36 | Cello Suite No. 6 in D Major, BWV 1012：VI. Gigue | 00:04:30 20M |
专辑简介
有些人认为巴赫的《大提琴组曲》是对绝对的孤独、近乎神秘的追求。而奥菲莉·盖拉德（Ophélie Gaillard）更倾向于在巴赫的大提琴组曲之间编织一种更为感性、亲密、近乎琐碎的关系，强调舞曲的节奏和情感的强度。在她的第二张录音（CD Aparté）中，首先是华丽的戈夫里勒大提琴（Goffriller）那令人着迷的音色，让每一个阿拉伯舞步都有血有肉。然后是静谧的动态，让听众沉醉其中。演奏家希望将这些乐曲带给更多的听众，而不是炫耀，这也体现了演奏家的新鲜感。
——奥利维尔·奥尔加，《费加罗》杂志，2011 年 5 月
