目录
# | 曲目 | 时长/大小 |
---|---|---|
1 |
Chanson perpétuelle, Op. 37 (Version for Mezzo-Soprano & Piano Quintet) | 00:07:25 130M |
2 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 1, Ma piseu zas mi laskou zni | 00:02:42 51M |
3 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 2, Sirokymi rukavy | 00:01:24 29M |
4 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 3, Me srdce casto | 00:03:19 62M |
5 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 4, Zalo dievca | 00:01:53 38M |
6 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 5, Kdyz mne stara matka | 00:02:40 50M |
7 | Gypsy Song, Op. 55, B. 104 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble) No. 6, Struna naladena | 00:01:05 24M |
8 | In Folk Tone, Op. 73, B. 146 (Arr. D. Ward for Mezzo-Soprano & Chamber Ensemble No. 7, Dobru noc | 00:03:26 63M |
9 | 2 Songs, Op. 91 No. 1, Gestillte Sehnsucht | 00:06:19 111M |
10 | 2 Songs, Op. 91 No. 2, Geistliches Wiegenlied | 00:05:12 94M |
11 | 3 Songs from William ShakespeareNo. 1, Musick to heare | 00:02:49 52M |
12 | 3 Songs from William Shakespeare No. 2, Full fadom five | 00:01:52 36M |
13 | 3 Songs from William Shakespeare No. 3, When Daisies pied | 00:02:12 42M |
14 | Chansons Madécasses, M. 78 No. 1, Nahandove | 00:06:10 108M |
15 | Chansons Madécasses, M. 78 No. 2, Aoua | 00:04:01 72M |
16 | Chansons Madécasses, M. 78 No. 3, Il est doux | 00:04:21 76M |
17 | 5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet) No. 1, Wie erkenn’ ich dein Treulieb | 00:00:58 21M |
18 | 5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet) No. 2, Sein Leichenhemd weiß wie Schnee zu sehn | 00:00:30 13M |
19 | 5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet) No. 3 | 00:00:57 21M |
20 | 5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet) No. 4, Sie trugen ihn auf der Bahre bloß | 00:01:05 23M |
21 | 5 Ophelia Songs, WoO 22 (Arr. A. Reimann for Mezzo-Soprano & String Quartet) No. 5, Und kommt er nicht mehr zurück? | 00:02:00 39M |
22 | Říkadla, JW 5/16 No. 1, The mole creeps | 00:01:08 23M |
23 | Říkadla, JW 5/16 No. 2, Karel rode off to hell | 00:00:35 15M |
24 | Říkadla, JW 5/16 No. 3, Franta, the knacker’s son | 00:01:03 23M |
25 | Říkadla, JW 5/16 No. 4, Children, hear my sermon | 00:01:06 24M |
26 | Říkadla, JW 5/16 No. 5, Ho ho, off the cows go | 00:01:03 23M |
27 | Říkadla, JW 5/16 No. 6, The white goat | 00:00:39 16M |
28 | Říkadla, JW 5/16 No. 7, Vacek scallywag | 00:00:37 16M |
29 | Říkadla, JW 5/16 No. 8, Frantik, Frantik | 00:00:32 14M |
30 | 4 Songs, Op. 27, TrV 170 No. 4, Morgen! (Arr. for Mezzo-Soprano, Violin & Piano) | 00:04:04 72M |
专辑简介
本专辑捕捉了非正式、家庭式音乐演奏的氛围。捷克著名女中音歌唱家玛格达莱娜·科日纳(Magdalena Kožená)带来了一系列极具个人色彩的歌曲,并与一群杰出的音乐朋友共同演绎,其中包括英国指挥家西蒙·拉特尔(Sir Simon Rattle),他在此专辑中首次以钢琴家身份亮相。
这张专辑展示了德国艺术歌曲的魅力,勃拉姆斯的《两首歌曲,作品91》和《五首奥菲利亚歌曲,WoO 22》,以及施特劳斯的《晨曦》;法国颂歌则包括肖松的《永恒之歌》和拉威尔的《马达加斯加歌曲》,而20世纪的先锋主义则通过斯特拉文斯基的《莎士比亚三首歌曲》展现。
《Soirée》是玛格达莱娜·科日纳与PENTATONE公司独家合作的第二张专辑,继2019年发布的巴洛克清唱剧专辑《Il giardino dei sospiri》之后,再次呈现其音乐创作的多样性与深度。