试听
目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
Another Girl (Arr. for baroque orchestra and saxophone) | 00:02:41 54M |
| 2 | King Arthur, Z. 628, Act 5: No. 32, Ye Blust’ring Brethren of the Skies (Arr. for baroque orchestra and saxophone) | 00:02:13 43M |
| 3 | The Fairy Queen, Z. 629, Act 5: No. 43, Thus the Gloomy World (Arr. for baroque orchestra and saxophone) | 00:03:51 71M |
| 4 | Hail, Bright Cecilia!, Z. 328: No. 3, Hark! Hark! Each Tree (Arr. for baroque orchestra and saxophone) | 00:03:48 73M |
| 5 | Because (Arr. for baroque orchestra and saxophone) | 00:02:29 48M |
| 6 | Music for the Funeral of Queen Mary, Z. 860: I. March (Arr. for baroque orchestra and saxophone) | 00:01:46 32M |
| 7 | Being for the Benefit of Mr. Kite (Arr. for baroque orchestra and saxophone) | 00:03:20 66M |
| 8 | Dido and Aeneas, Z. 626, Act 1: No. 3, Ah! Belinda (Arr. for baroque orchestra and saxophone) | 00:02:13 38M |
| 9 | Yesterday (Arr. for baroque orchestra and saxophone) | 00:02:33 48M |
| 10 | The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | 00:02:03 36M |
| 11 | The Fairy Queen, Z. 629, Act 2: No. 13, One Charming Night (Arr. for baroque orchestra) | 00:02:12 42M |
| 12 | Blackbird (Arr. for baroque orchestra and saxophone) | 00:02:28 47M |
| 13 | Distressed Innocence, Z. 577: Air II | 00:01:36 29M |
| 14 | Bonduca, Z. 574: No. 4, Air (Arr. for baroque orchestra and saxophone) | 00:02:22 47M |
| 15 | Norwegian Wood / Greensleeves (Arr. for baroque orchestra and saxophone) | 00:03:08 61M |
| 16 | The Fairy Queen, Z. 629, Act 1: No. 2, Rondeau | 00:01:04 21M |
| 17 | King Arthur, Z. 628, Act 3: No. 22, Cold Song “What Power art thou” (Arr. for baroque orchestra and saxophone) | 00:03:06 59M |
| 18 | Tomorrow Never Knows (Arr. for baroque orchestra and saxophone) | 00:03:09 66M |
| 19 | The Fairy Queen, Z. 629, Act 5: No. 40, O Let Me Weep (Arr. for baroque orchestra and saxophone) | 00:06:01 111M |
| 20 | Abdelazer, Z. 570: No. 6, Air (Arr. for baroque orchestra and saxophone) | 00:01:14 25M |
| 21 | Aureng-Zebe, Z. 573: No. 1, I See, She Flies Me (Arr. for baroque orchestra and saxophone) | 00:00:39 13M |
| 22 | Abdelazer, Z. 570: No. 9, Air | 00:01:24 27M |
| 23 | Girl (Arr. for baroque orchestra and saxophone) | 00:03:15 65M |
| 24 | The Indian Queen, Z. 630, Act 3: No. 17, Ah! How Happy Are We (Arr. for baroque orchestra and saxophone) | 00:01:38 33M |
| 25 | Abdelazer, Z. 570: No. 7 & 8, Jig & Hornpipe | 00:01:58 40M |
| 26 | Abdelazer, Z. 570: No. 2, Rondeau (Arr. for baroque orchestra and saxophone) | 00:02:06 42M |
| 27 | When I’m 64 (Arr. for baroque orchestra and saxophone) | 00:03:36 73M |
| 28 | The Fairy Queen, Z. 629, Act 5: No. 39, Thrice Happy Lovers (Arr. for baroque orchestra and saxophone) | 00:03:08 64M |
专辑简介
在这张专辑中，柏林劳滕乐团（Lautten Compagney）凭借典型的历史乐器的声音创造了一种新的声音体验，使风格和时代之间的界限变得可以渗透。这张专辑也是他们第一次与年轻的萨克斯演奏家阿西娅·法特耶娃（Asya Fateyeva）合作。
亨利·普赛尔（Henry Purcell），巴洛克时期最著名的英国作曲家，在17世纪就已经被认为是英国的 \”ORPHEUS BRITANNICUS\”。他的风格在英国音乐中是独一无二的，并将朗朗上口的旋律与欢快的节奏相结合。他的音乐于1690年左右在伦敦流行。阿道夫·萨克斯则于1846年在巴黎为他的新乐器申请了专利。由此产生的萨克斯风在爵士乐和流行音乐中占据了主导地位。而到1962年，披头士乐队发行了他们的第一张单曲。凭借他们的摇滚和利物浦节拍音乐的新声音，他们迅速成名，在塑造20世纪现代流行文化方面极具创造性。
柏林劳滕乐团（Lautten Compagney）和年轻的萨克斯演奏家阿西娅·法特耶娃一起进行了一次令人兴奋的穿越三个世纪的音乐历史之旅。
