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目录
| # | 曲目 |
|---|---|
|
1 |
Sonata No. 1 in F minor, Op. 2, No. 1: I. Allegro |
| 2 | Sonata No. 1 in F minor, Op. 2, No. 1: II. Adagio |
| 3 | Sonata No. 1 in F minor, Op. 2, No. 1: III. Menuetto. Allegretto |
| 4 | Sonata No. 1 in F minor, Op. 2, No. 1: IV. Prestissimo |
| 5 | Sonata No. 2 in A major, Op. 2, No. 2: I. Allegro vivace |
| 6 | Sonata No. 2 in A major, Op. 2, No. 2: II. Largo appassionato |
| 7 | Sonata No. 2 in A major, Op. 2, No. 2: III. Scherzo Allegretto |
| 8 | Sonata No. 2 in A major, Op. 2, No. 2: IV. Rondo Grazioso |
| 9 | Sonata No. 3 in C major, Op. 2, No. 3: I. Allegro con brio |
| 10 | Sonata No. 3 in C major, Op. 2, No. 3: II. Adagio |
| 11 | Sonata No. 3 in C major, Op. 2, No. 3: III. Scherzo Allegro |
| 12 | Sonata No. 3 in C major, Op. 2, No. 3: IV. Allegro assai |
| 13 | Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): I. Allegro molto e con brio |
| 14 | Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): II. Largo con gran espressione |
| 15 | Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): III. Allegro |
| 16 | Sonata No. 4 in E-flat major, Op. 7 (‘Grand Sonata’): IV. Rondo. Poco Allegretto e grazioso |
| 17 | Sonata No. 5 in C minor, Op. 10, No. 1: I. Allegro molto e con brio |
| 18 | Sonata No. 5 in C minor, Op. 10, No. 1: II. Adagio molto |
| 19 | Sonata No. 5 in C minor, Op. 10, No. 1: III. Prestissimo |
| 20 | Sonata No. 6 in F major, Op. 10, No. 2: I. Allegro |
| 21 | Sonata No. 6 in F major, Op. 10, No. 2: II. Allegretto |
| 22 | Sonata No. 6 in F major, Op. 10, No. 2: III. Presto |
| 23 | Sonata No. 7 in D major, Op. 10, No. 3: I. Presto |
| 24 | Sonata No. 7 in D major, Op. 10, No. 3: II. Largo e mesto |
| 25 | Sonata No. 7 in D major, Op. 10, No. 3: III. Menuetto Allegro |
| 26 | Sonata No. 7 in D major, Op. 10, No. 3: IV. Rondo Allegro |
| 27 | Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: I. Grave – Allegro di molto e con brio |
| 28 | Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: II. Adagio cantabile |
| 29 | Sonata No. 8 in C minor, Op. 13, ‘Pathétique’: III. Rondo. Allegro |
| 30 | Sonata No. 9 in E major, Op. 14, No. 1: I. Allegro |
| 31 | Sonata No. 9 in E major, Op. 14, No. 1: II. Allegretto |
| 32 | Sonata No. 9 in E major, Op. 14, No. 1: III. Rondo Allegro comodo |
| 33 | Sonata No. 10 in G major, Op. 14, No. 2: I. Allegro |
| 34 | Sonata No. 10 in G major, Op. 14, No. 2: II. Andante |
| 35 | Sonata No. 10 in G major, Op. 14, No. 2: III. Scherzo Allegro assai |
| 36 | Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio |
| 37 | Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione |
| 38 | Sonata No. 11 in B-flat major, Op. 22: III. Menuetto |
| 39 | Sonata No. 11 in B-flat major, Op. 22: IV. Rondo Allegretto |
| 40 | Sonata No. 12 in A-flat major, Op. 26: I. Andante con variazioni |
| 41 | Sonata No. 12 in A-flat major, Op. 26: II. Scherzo. Allegro molto |
| 42 | Sonata No. 12 in A-flat major, Op. 26: III. Marcia funebre sulla morte d’un eroe. Maestoso andante |
| 43 | Sonata No. 12 in A-flat major, Op. 26: IV. Allegro |
| 44 | Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: I. Andante |
| 45 | Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: II. Allegro molto e vivace |
| 46 | Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: III. Adagio con espressione |
| 47 | Sonata ‘quasi una fantasia’ No. 13 in E-flat major, Op. 27, No. 1: IV. Allegro vivace |
| 48 | Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: I. Adagio sostenuto |
| 49 | Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: II. Allegretto |
| 50 | Sonata ‘quasi una fantasia’ No. 14 in C-sharp minor, Op. 27, No. 2, ‘Moonlight’: III. Presto agitato |
| 51 | Sonata No. 15 in D major, Op. 28, ‘Pastoral’: I. Allegro |
| 52 | Sonata No. 15 in D major, Op. 28, ‘Pastoral’: II. Andante |
| 53 | Sonata No. 15 in D major, Op. 28, ‘Pastoral’: III. Scherzo Allegro vivace |
| 54 | Sonata No. 15 in D major, Op. 28, ‘Pastoral’: IV. Rondo Allegro ma non troppo |
| 55 | Sonata No. 16 in G major, Op. 31, No. 1: I. Allegro vivace |
| 56 | Sonata No. 16 in G major, Op. 31, No. 1: II. Adagio grazioso |
| 57 | Sonata No. 16 in G major, Op. 31, No. 1: III. Rondo Allegretto – Presto |
| 58 | Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: I. Largo – Allegro |
| 59 | Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: II. Adagio |
| 60 | Sonata No. 17 in D minor, Op. 31, No. 2, ‘Tempest’: III. Allegretto |
| 61 | Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: I. Allegro |
| 62 | Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: II. Scherzo Allegretto vivace |
| 63 | Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: III. Menuetto Moderato e grazioso |
| 64 | Sonata No. 18 in E-flat major, Op. 31, No. 3, ‘The Hunt’: IV. Presto con fuoco |
| 65 | Sonata No. 19 in G minor, Op. 49, No. 1: I. Andante |
| 66 | Sonata No. 19 in G minor, Op. 49, No. 1: II. Rondo Allegro |
| 67 | Sonata No. 20 in G minor, Op. 49, No. 2: I. Allegro ma non troppo |
| 68 | Sonata No. 20 in G minor, Op. 49, No. 2: II. Tempo di menuetto |
| 69 | Sonata No. 21 in C major, Op. 53, ‘Waldstein’: I. Allegro con brio |
| 70 | Sonata No. 21 in C major, Op. 53, ‘Waldstein’: II. Introduzione Adagio molto (attacca) |
| 71 | Sonata No. 21 in C major, Op. 53, ‘Waldstein’: III. Rondo Allegretto moderato – Prestissimo |
| 72 | Sonata No. 22 in F major, Op. 54: I. In tempo d’un menuetto |
| 73 | Sonata No. 22 in F major, Op. 54: II. Allegretto Piu allegro |
| 74 | Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: I. Allegro assai |
| 75 | Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: II. Andante con moto |
| 76 | Sonata No. 23 in F minor, Op. 57, ‘Appassionata’: III. Allegro ma non troppo – Presto |
| 77 | Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile – Allegro ma non troppo |
| 78 | Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace |
| 79 | Sonata No. 25 in G major, Op. 79: I. Presto alla tedesca |
| 80 | Sonata No. 25 in G major, Op. 79: II. Andante |
| 81 | Sonata No. 25 in G major, Op. 79: III. Vivace |
| 82 | Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: I. Das Lebewohl Adagio – Allegro |
| 83 | Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: II. Abwesenheit Andante espressivo |
| 84 | Sonata No. 26 in E-flat major, Op. 81a, ‘Les Adieux’: III. Das Wiedersehen Vivacissimamente |
| 85 | Sonata No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck |
| 86 | Sonata No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen |
| 87 | Sonata No. 28 in A major, Op. 101: I. Etwas lebhaft, und mit der innigsten Empfindung. Allegretto, ma non troppo |
| 88 | Sonata No. 28 in A major, Op. 101: II. Lebhaft. Marschmassig. Vivace alla marcia |
| 89 | Sonata No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto |
| 90 | Sonata No. 28 in A major, Op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro |
| 91 | Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: I. Allegro |
| 92 | Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: II. Scherzo Assai vivace |
| 93 | Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: III. Adagio sostenuto |
| 94 | Sonata No. 29 in B-flat major, Op. 106, ‘Hammerklavier’: IV. Introduzione Largo – Fuga Allegro risoluto |
| 95 | Sonata No. 30 in E major, Op. 109: I. Vivace ma non troppo. Adagio espressivo |
| 96 | Sonata No. 30 in E major, Op. 109: II. Prestissimo |
| 97 | Sonata No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo |
| 98 | Sonata No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo |
| 99 | Sonata No. 31 in A-flat major, Op. 110: II. Scherzo Allegro molto |
| 100 | Sonata No. 31 in A-flat major, Op. 110: III. Adagio ma non troppo. Fuga Allegro ma non troppo |
| 101 | Sonata No. 32 in C minor, Op. 111: I. Maestoso – Allegro con brio ed appassionato |
| 102 | Sonata No. 32 in C minor, Op. 111: II. Arietta Adagio molto semplice cantabile |
专辑简介
这部套盒由钢琴家穆里尔·凯曼(Muriel Chemin)演绎贝多芬全部的钢琴奏鸣曲。她的上一张专辑还是在2018年发布的《迪亚贝利变奏曲》,无论是哪一张专辑,她都将这位伟大作曲家的杰作展现的恰到好处。贝多芬在凯曼的人生中一直有着重要的地位,因为在她七岁时,她第一次听到了贝多芬的音乐,从那一刻起她便无法自拔、全神贯注地聆听。她对贝多芬的热爱随着她事业的发展而加深,并在这一套专辑中展现出深刻的诠释。凯曼并不寻求对这些奏鸣曲进行分析性的概述,而是从每首作品自身的特点出发,将其与历史背景联系起来。例如从回溯到巴洛克时期的赋格写作,到诸如 “槌子键琴奏鸣曲\”等作品的整合——预示着20世纪的革命性发展。凯曼将她的激情和天赋带到了这些美好的音乐中,让听众对贝多芬的钢琴奏鸣曲有了更深入的了解,因为这些钢琴奏鸣曲描绘了贝多芬非凡的音乐演变轨迹。
































