![[套盒] 伯恩斯坦: 马勒交响曲全集 [12 Discs]](https://img2.qwe123.me/albums/35/35670/G010002813607B_512.jpg)
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目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
I. Langsam. Schleppend | 00:15:09 75M |
| 2 | II. Kräftig bewegt, doch nicht zu schnell | 00:08:18 42M |
| 3 | III. Feierlich und gemessen, ohne zu schleppen | 00:10:18 48M |
| 4 | IV. Stürmisch bewegt – Energisch | 00:18:56 103M |
| 5 | Symphony No. 2 in C Minor “Resurrection” (Remastered)：I. Allegro maestoso (Remastered) | 00:23:38 115M |
| 6 | Symphony No. 2 in C Minor “Resurrection” (Remastered)：II. Andante moderato | 00:11:41 55M |
| 7 | Symphony No. 2 in C Minor “Resurrection” (Remastered)：III. In ruhig fließender Bewegung | 00:10:08 50M |
| 8 | Symphony No. 2 in C Minor “Resurrection” (Remastered)：IV. Urlicht. Sehr feierlich, aber schlicht | 00:05:29 24M |
| 9 | Symphony No. 2 in C Minor “Resurrection” (Remastered)：V. Finale. Im Tempo des Scherzos | 00:33:42 172M |
| 10 | Symphony No. 3 in D Minor (Remastered)：I. Kräftig, Entschieden | 00:33:19 174M |
| 11 | Symphony No. 3 in D Minor (Remastered)：II. Tempo di menuetto | 00:10:09 52M |
| 12 | Symphony No. 3 in D Minor (Remastered)：III. Comodo – Scherzando. Ohne Hast | 00:17:58 89M |
| 13 | Symphony No. 3 in D Minor (Remastered)：IV. Sehr langsam – Misterioso | 00:08:48 40M |
| 14 | Symphony No. 3 in D Minor (Remastered)：V. Lustig im Tempo und keck im Ausdruck | 00:04:12 23M |
| 15 | Symphony No. 3 in D Minor (Remastered)：VI. Langsam, Ruhevoll. Empfunden | 00:25:09 132M |
| 16 | Symphony No. 4 in G Major (Remastered)：I. Bedächtig, nicht eilen | 00:16:53 97M |
| 17 | Symphony No. 4 in G Major (Remastered)：II. In gemächlicher Bewegung, ohne Hast | 00:09:06 49M |
| 18 | Symphony No. 4 in G Major (Remastered)：III. Ruhevoll | 00:20:31 110M |
| 19 | Symphony No. 4 in G Major (Remastered)：IV. Sehr behaglich: “Wir genießen | 00:08:31 44M |
| 20 | Symphony No. 5 in C-Sharp Minor：I. Trauermarsch | 00:12:33 60M |
| 21 | Symphony No. 5 in C-Sharp Minor：II. Stürmisch bewegt, mit größter Vehemenz | 00:14:24 76M |
| 22 | Symphony No. 5 in C-Sharp Minor：III. Scherzo. Kräftig, nicht zu schnell | 00:17:43 85M |
| 23 | Symphony No. 5 in C-Sharp Minor：IV. Adagietto. Sehr langsam | 00:11:02 51M |
| 24 | Symphony No. 5 in C-Sharp Minor：V. Rondo-Finale. Allegro | 00:13:49 72M |
| 25 | Symphony No. 6 in A Minor, “Tragic”：I. Allegro energico, ma non troppo | 00:21:28 115M |
| 26 | Symphony No. 6 in A Minor, “Tragic”：II. Scherzo. Wuchtig | 00:12:24 60M |
| 27 | Symphony No. 6 in A Minor, “Tragic”：III. Andante moderato | 00:15:19 76M |
| 28 | Symphony No. 6 in A Minor, “Tragic”：IV. Finale. Allegro moderato | 00:28:40 152M |
| 29 | Symphony No. 9 in D Major (Remastered)：I. Andante comodo | 00:28:24 142M |
| 30 | Symphony No. 9 in D Major (Remastered)：II. Im Tempo eines gemächlichen Ländlers | 00:15:52 77M |
| 31 | Symphony No. 9 in D Major (Remastered)：III. Rondo-Burleske. Allegro assai | 00:12:32 68M |
| 32 | Symphony No. 9 in D Major (Remastered)：IV. Adagio. Sehr langsam und noch zurückhaltend | 00:23:00 114M |
| 33 | Symphony No. 7 in E Minor (Remastered)：I. Langsam | 00:20:51 111M |
| 34 | Symphony No. 7 in E Minor (Remastered)：II. Nachtmusik. Allegro moderato | 00:16:41 75M |
| 35 | Symphony No. 7 in E Minor (Remastered)：III. Scherzo. Schattenhaft | 00:09:36 45M |
| 36 | Symphony No. 7 in E Minor (Remastered)：IV. Nachtmusik. Andante amoroso | 00:14:38 66M |
| 37 | Symphony No. 7 in E Minor (Remastered)：V. Rondo-Finale | 00:17:54 97M |
| 38 | Symphony No. 8 in E-Flat Major “Symphony of a Thousand” (Remastered)：I. Hymnus: “Veni, creator spiritus” | 00:24:03 142M |
| 39 | Symphony No. 8 in E-Flat Major “Symphony of a Thousand” (Remastered)：II. Final Scene from Faust | 00:55:01 300M |
| 40 | Symphony No. 10 in F-Sharp Minor：I. Adagio | 00:26:28 126M |
| 41 | Kindertotenlieder：I. Nun will die Sonn’ so hell aufgeh’n | 00:06:18 30M |
| 42 | Kindertotenlieder：II. Nun seh’ ich wohl, warum so dunkle Flammen | 00:05:12 25M |
| 43 | Kindertotenlieder：III. Wenn dein Mütterlein | 00:06:07 29M |
| 44 | Kindertotenlieder：IV. Oft denk’ ich, sie sind nur ausgegangen | 00:03:16 16M |
| 45 | Kindertotenlieder：V. In diesem Wetter | 00:07:44 37M |
专辑简介
作为历史上第一套马勒交响曲全集录音，伯恩斯坦这套完成于六零年代后期的录音作品，等于宣告了马勒时代的正式到来。从此以后，马勒不再是只少数热情的马勒信徒才知道的名字，而成为与勃拉姆斯、贝多芬一样，都是爱乐者熟悉的作曲家。
马勒生前面对自己音乐受到忽视的情形时，曾说：“我的时代终将来临。”他的预言果然在他死后半世纪实现，只是，他所没料到的是，让他的时代来临的，竟是一位美国本土养成的指挥家。伯恩斯坦对马勒的提倡之功，不仅仅在他这生平第一套马勒交响曲录音（日后他又灌录了第二套），他早从五零年代开始，就经常在音乐会上指挥马勒交响曲，同时也在演讲、杂志中不断介绍马勒。更重要的是他对马勒音乐的诠释。可以说因为伯恩斯坦找到了现代人与马勒音乐共鸣的那份灵魂，才让马勒得以在二十世纪下半叶，变得通俗化、广受欢迎。将马勒视为现代作曲家，强调了他神经质、任性、嘲讽、厌世、充满焦虑和不安的情绪，这都是让马勒在二十世纪后半叶获得普罗大众共鸣的主要原因。
伯恩斯坦的第一套马勒交响曲，比他第二套灌录的马勒交响曲更明显第表现出他对马勒最原始而不曾被外界影响的看法。这或许和当时与他交好、同样也住在纽约的马勒遗孀－艾玛·马勒（Alma Mahler）有关；这套录音的乐队是马勒在二十世纪最初几年带领过的纽约爱乐乐团。虽然到伯恩斯坦接任该团总监时，马勒带过的团员都已退休，但这种传承，给了伯恩斯坦一种使命感和自由度。他相信，这个乐团可以发出马勒认同的马勒交响曲声音。
