![[套盒] On DSCH (3 Discs)](https://img2.qwe123.me/albums/15/15595/covfdsau54whtr5uer.jpg)
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目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
Prelude No. 1 in C Major | 00:02:37 37M |
| 2 | Fugue No. 1 in C Major | 00:02:32 37M |
| 3 | Prelude No. 2 in A Minor | 00:00:53 13M |
| 4 | Fugue No. 2 in A Minor | 00:01:26 22M |
| 5 | Prelude No. 3 in G Major | 00:01:49 29M |
| 6 | Fugue No. 3 in G Major | 00:01:51 29M |
| 7 | Prelude No. 4 in E Minor | 00:02:57 42M |
| 8 | Fugue No. 4 in E Minor | 00:04:45 72M |
| 9 | Prelude No. 5 in D Major | 00:01:28 21M |
| 10 | Fugue No. 5 in D Major | 00:01:48 27M |
| 11 | Prelude No. 6 in B Minor | 00:01:54 30M |
| 12 | Fugue No. 6 in B Minor | 00:04:57 72M |
| 13 | Prelude No. 7 in A Major | 00:01:13 17M |
| 14 | Fugue No. 7 in A Major | 00:02:11 33M |
| 15 | Prelude No. 8 in F-Sharp Minor | 00:01:12 17M |
| 16 | Fugue No. 8 in F-Sharp Minor | 00:07:11 105M |
| 17 | Prelude No. 9 in E Major | 00:02:06 30M |
| 18 | Fugue No. 9 in E Major | 00:01:36 24M |
| 19 | Prelude No. 10 in C-Sharp Minor | 00:02:10 32M |
| 20 | Fugue No. 10 in C-Sharp Minor | 00:05:27 81M |
| 21 | Prelude No. 11 in B Major | 00:01:05 16M |
| 22 | Fugue No. 11 in B Major | 00:02:00 31M |
| 23 | Prelude No. 12 in G-Sharp Minor | 00:04:31 66M |
| 24 | Fugue No. 12 in G-Sharp Minor | 00:03:45 58M |
| 25 | Prelude No. 13 in F-Sharp Major | 00:02:27 34M |
| 26 | Fugue No. 13 in F-Sharp Major | 00:04:45 69M |
| 27 | Prelude No. 14 in E-Flat Minor | 00:04:08 60M |
| 28 | Fugue No. 14 in E-Flat Minor | 00:02:44 40M |
| 29 | Prelude No. 15 in D-Flat Major | 00:02:34 40M |
| 30 | Fugue No. 15 in D-Flat Major | 00:01:33 25M |
| 31 | Prelude No. 16 in B-Flat Minor | 00:02:38 38M |
| 32 | Fugue No. 16 in B-Flat Minor | 00:07:29 106M |
| 33 | Prelude No. 17 in A-Flat Major | 00:01:39 24M |
| 34 | Fugue No. 17 in A-Flat Major | 00:03:40 55M |
| 35 | Prelude No. 18 in F Minor | 00:02:09 31M |
| 36 | Fugue No. 18 in F Minor | 00:03:03 45M |
| 37 | Prelude No. 19 in E-Flat Major | 00:02:15 33M |
| 38 | Fugue No. 19 in E-Flat Major | 00:02:26 37M |
| 39 | Prelude No. 20 in C Minor | 00:04:03 57M |
| 40 | Fugue No. 20 in C Minor | 00:05:12 75M |
| 41 | Prelude No. 21 in B-Flat Major | 00:01:16 19M |
| 42 | Fugue No. 21 in B-Flat Major | 00:02:42 42M |
| 43 | Prelude No. 22 in G Minor | 00:02:00 29M |
| 44 | Fugue No. 22 in G Minor | 00:03:12 47M |
| 45 | Prelude No. 23 in F Major | 00:02:24 34M |
| 46 | Fugue No. 23 in F Major | 00:04:02 60M |
| 47 | Prelude No. 24 in D Minor | 00:04:11 61M |
| 48 | Fugue No. 24 in D Minor | 00:09:23 142M |
| 49 | Pars Prima: Sonata allegro | 00:06:37 99M |
| 50 | Pars Prima: Waltz in rondo-form | 00:02:19 32M |
| 51 | Pars Prima: Episode | 00:01:09 16M |
| 52 | Pars Prima: Suite. Prelude – Sarabande – Jig – Sarabande. Minuet – Jig – Gavotte – Polonaise | 00:12:19 177M |
| 53 | Pars Prima: Pibroch (Lament for the Children) | 00:02:48 37M |
| 54 | Pars Prima: Episode. Arabesque Variations | 00:00:41 9M |
| 55 | Pars Prima: Nocturne | 00:01:59 28M |
| 56 | Pars Altera: Reverie-Fantasy | 00:05:30 78M |
| 57 | Pars Altera: Fanfare – Forebodings. Alarm – Glimpse of a War-Vision | 00:02:12 32M |
| 58 | Pars Altera: Variations on “Peace, Bread & the Land” (1917) | 00:02:08 33M |
| 59 | Pars Altera: Symphonic March | 00:01:55 29M |
| 60 | Pars Altera: Episode | 00:00:55 13M |
| 61 | Pars Altera: Fandango | 00:02:08 30M |
| 62 | Pars Altera: Pedal-Point. “To emergent Africa” | 00:02:03 31M |
| 63 | Pars Altera: Central Episode. Études | 00:03:42 59M |
| 64 | Pars Altera: Variations in C Minor | 00:03:41 54M |
| 65 | Pars Tertia: Adagio. Tribute to Bach | 00:01:57 28M |
| 66 | Pars Tertia: Triple Fugue over Ground Bass: Subject I. Andamento | 00:05:18 79M |
| 67 | Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H | 00:07:02 104M |
| 68 | Pars Tertia: Triple Fugue over Ground Bass: Subject III. Dies Irae (In memoriam the six million) | 00:06:33 99M |
| 69 | Pars Tertia: Final Variations on a Theme Derived from Ground. Adagissimo barocco | 00:12:13 171M |
专辑简介
《On DSCH》是一次伊戈尔·莱维特（Igor Levit）以前从未尝试过的唱片之旅。这位自称是“完美主义者”的音乐家喜欢把自己推到智力和体力上的极限。
关于专辑的名称，DSCH这几个字母用其德语音符名称拼出了肖斯塔科维奇的音乐特点，这是一个神奇的音乐代码：DSCH – 肖斯塔科维奇的个人音乐座右铭，巧妙地从他的名字Dmitri SCHostakovich的德语名而来的。在德国的音乐符号中，S [sounding\’es\’]是E flat，H是B natural，导致令人难以置信的四音符序列：D-E flat-C-B。
专辑内收录的肖斯塔科维奇的《24首前奏曲和赋格》完成于1951年，可以被看作是对所有大调和小调总结的作品，总共持续了约两个半小时，而另一部由苏格兰作曲家罗纳德·史蒂文森完成于1963年的《DSCH帕萨卡利亚》，是一套不间断的变奏曲，也持续了近一个半小时。莱维特对这两套作品进行了多年的研究，并分别从2017年和2018年开始在音乐会上频繁演出。每一次演出都被誉为是一项卓越的成就。
莱维特本人将肖斯塔科维奇这24首前奏曲和赋格曲描述为“一种音乐日记”。他说：“（作品）有一种完全独特的东西”，“作品中关于这种温暖、直接和纯粹的孤独的结合。对我来说，这是一种自我探索和自我发现的仪式，涉及到最亲密的问题”。
作曲家罗纳德·史蒂文森是一个具有乌托邦式人生观的孤独者，他从钢琴的起点出发，开始环游世界。DSCH主题为他提供了一个基础，在三百多个变奏中，对各种钢琴和风格的可能性进行了壮观的调查。莱维特认为，帕萨卡利亚就是一部名副其实的生活汇编，一种告诉我们对整个世界责任的音乐。
