目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | 00:11:23 |
| 2 | Symphony No. 6 in F Major, Op. 68 “Pastoral”: II. Szene am Bach. Andante molto mosso | 00:12:57 |
| 3 | Symphony No. 6 in F Major, Op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | 00:05:01 |
| 4 | Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | 00:03:39 |
| 5 | Symphony No. 6 in F Major, Op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | 00:10:13 |
专辑简介
The Royal Concertgebouw Orchestra, based in Amsterdam, is one of the world\’s leading orchestras, renowned for its rich sound and exceptional performances.it is salutary to remember that forebears in the string sextet were minimal before the 1860s – the ensemble is seamless.
The only minor misjudgement comes when violinist Corina Belcea brings a sudden gutsier tone to the secondary phrase of op.18’s Scherzo, which leaps out of its sleek surroundings as a rather rustic interloper (the Second Sextet’s Presto giocoso feels more appropriate for this kind of colouring). But it’s a small point and not one that ultimately detracts from what are benchmark recordings and performances of the two sextets, full of the fresh Romantic spirit of their young composer.
Although the two works form a natural pair, they have contrasting characters and the players differentiate their moods and sound worlds judiciously, bringing plenty of warmth to the long melodic lines, rich texture to the harmonies and contrapuntal interplay, and a buoyant rhythmic verve in the swifter movements. The Vienna Konzerthaus provides just the right ambience for a recording with expertly balanced sound.
