目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Dog In A Nightgown | 03:14 |
| 2 | Dahlia | 03:33 |
| 3 | Somehow | 03:24 |
| 4 | Empty Days | 03:37 |
| 5 | Unaware | 02:58 |
| 6 | Interlude (Demo) | 00:49 |
| 7 | Keep Me Out | 02:58 |
| 8 | Get Out (Now) | 03:05 |
| 9 | Don’t Ask Twice | 03:06 |
专辑简介
表示金額は税込価格となります。「サイズ」は参考情報であり、実際のファイルサイズとは異なる場合があります。ボタンを押しただけでは課金・ダウンロードは発生しません。『買い物カゴ』より購入手続きが必要です。it is salutary to remember that forebears in the string sextet were minimal before the 1860s – the ensemble is seamless.
The only minor misjudgement comes when violinist Corina Belcea brings a sudden gutsier tone to the secondary phrase of op.18’s Scherzo, which leaps out of its sleek surroundings as a rather rustic interloper (the Second Sextet’s Presto giocoso feels more appropriate for this kind of colouring). But it’s a small point and not one that ultimately detracts from what are benchmark recordings and performances of the two sextets, full of the fresh Romantic spirit of their young composer.
Although the two works form a natural pair, they have contrasting characters and the players differentiate their moods and sound worlds judiciously, bringing plenty of warmth to the long melodic lines, rich texture to the harmonies and contrapuntal interplay, and a buoyant rhythmic verve in the swifter movements. The Vienna Konzerthaus provides just the right ambience for a recording with expertly balanced sound.




























