目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Entrata Festiva, Op. 93：Entrata Festiva, Op. 93 | 00:05:02 |
| 2 | Missa Festiva, Op. 62：I. Kyrie | 00:04:19 |
| 3 | Missa Festiva, Op. 62：II. Gloria | 00:04:17 |
| 4 | Missa Festiva, Op. 62：III. Credo | 00:07:43 |
| 5 | Missa Festiva, Op. 62：IV. Sanctus | 00:02:51 |
| 6 | Missa Festiva, Op. 62：V. Benedictus | 00:02:39 |
| 7 | Missa Festiva, Op. 62：VI. Agnus Dei | 00:04:07 |
| 8 | Ego sum panis, Op. 9 No. 1：Ego sum panis, Op. 9 No. 1 | 00:04:29 |
| 9 | Ave Maria, Op. 9 No. 2：Ave Maria, Op. 9 No. 2 | 00:02:57 |
| 10 | Tantum ergo, Op. 9 No. 4：Tantum ergo, Op. 9 No. 4 | 00:02:55 |
| 11 | Missa in honorem Sancti Josephi, Op. 21：I. Kyrie | 00:02:08 |
| 12 | Missa in honorem Sancti Josephi, Op. 21：II. Gloria | 00:03:49 |
| 13 | Missa in honorem Sancti Josephi, Op. 21：III. Credo | 00:06:25 |
| 14 | Missa in honorem Sancti Josephi, Op. 21：IV. Sanctus | 00:01:26 |
| 15 | Missa in honorem Sancti Josephi, Op. 21：V. Benedictus | 00:01:41 |
| 16 | Missa in honorem Sancti Josephi, Op. 21：VI. Agnus Dei | 00:02:15 |
| 17 | Ave verum, Op. 63 No. 1：Ave verum, Op. 63 No. 1 | 00:02:57 |
| 18 | Magnificat, Op. 108：Magnificat, Op. 108 | 00:07:11 |
专辑简介
Flor Peeters was one of the most significant Catholic composers of the twentieth century, whose deeply spiritual œuvre incorporates elements of Gregorian chant and Renaissance polyphony. This recording celebrates his Latin choral music, a perfect assimilation of the motu proprio of Pope Pius X in 1903, which was unjustly neglected following the Second Vatican Council but is now sung in both Catholic and Protestant churches throughout the world. This album, which includes a number of premiere recordings, also features the popular Missa Festiva, to which Rupert Gough has added brass parts in line with those written by the composer for the Entrata Festiva. These dramatic works, brought to life by the Choir of Royal Holloway, are contrasted with eucharistic motets and the smaller-scale Missa In honorem Sancti Josephi, which showcase the full breadth of Peeters’ idiomatic style.
