目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Italian Concerto in F Major, BWV 971：I. [no tempo indication] | 00:04:10 |
| 2 | Italian Concerto in F Major, BWV 971：II. Andante | 00:04:10 |
| 3 | Italian Concerto in F Major, BWV 971：III. Presto | 00:03:49 |
| 4 | 4 Duets, BWV 802–805：No. 2 in F Major, BWV 803 | 00:03:26 |
| 5 | 4 Duets, BWV 802–805：No. 4 in A Minor, BWV 805 | 00:03:23 |
| 6 | 4 Duets, BWV 802–805：No. 1 in E Minor, BWV 802 | 00:02:26 |
| 7 | 4 Duets, BWV 802–805：No. 3 in G Major, BWV 804 | 00:03:04 |
| 8 | Overture in the French Style in B Minor, BWV 831：I. Ouverture | 00:12:45 |
| 9 | Overture in the French Style in B Minor, BWV 831：II. Courante | 00:02:16 |
| 10 | Overture in the French Style in B Minor, BWV 831：III. Gavottes I & II | 00:03:54 |
| 11 | Overture in the French Style in B Minor, BWV 831：IV. Passepieds I & II | 00:03:01 |
| 12 | Overture in the French Style in B Minor, BWV 831：V. Sarabande | 00:03:25 |
| 13 | Overture in the French Style in B Minor, BWV 831：VI. Bourrées I & II | 00:03:06 |
| 14 | Overture in the French Style in B Minor, BWV 831：VII. Gigue | 00:02:42 |
| 15 | Overture in the French Style in B Minor, BWV 831：VIII. Echo | 00:03:40 |
| 16 | Partita No. 1 in B-Flat Major, BWV 825：I. Prelude | 00:01:58 |
| 17 | Partita No. 1 in B-Flat Major, BWV 825：II. Allemande | 00:04:11 |
| 18 | Partita No. 1 in B-Flat Major, BWV 825：III. Courante | 00:02:59 |
| 19 | Partita No. 1 in B-Flat Major, BWV 825：IV. Sarabande | 00:05:15 |
| 20 | Partita No. 1 in B-Flat Major, BWV 825：V. Menuets I & II | 00:02:52 |
| 21 | Partita No. 1 in B-Flat Major, BWV 825：VI. Gigue | 00:02:51 |
| 22 | Partita No. 4 in D Major, BWV 828：I. Ouverture | 00:06:10 |
| 23 | Partita No. 4 in D Major, BWV 828：II. Allemande | 00:10:13 |
| 24 | Partita No. 4 in D Major, BWV 828：III. Courante | 00:03:54 |
| 25 | Partita No. 4 in D Major, BWV 828：V. Sarabande | 00:06:04 |
| 26 | Partita No. 4 in D Major, BWV 828：IV. Aria | 00:02:33 |
| 27 | Partita No. 4 in D Major, BWV 828：VI. Menuet | 00:01:31 |
| 28 | Partita No. 4 in D Major, BWV 828：VII. Gigue | 00:03:52 |
| 29 | Partita No. 5 in G Major, BWV 829：I. Praeambulum | 00:02:26 |
| 30 | Partita No. 5 in G Major, BWV 829：II. Allemande | 00:04:50 |
| 31 | Partita No. 5 in G Major, BWV 829：III. Corrente | 00:01:57 |
| 32 | Partita No. 5 in G Major, BWV 829：IV. Sarabande | 00:04:32 |
| 33 | Partita No. 5 in G Major, BWV 829：V. Tempo di Minuetto | 00:01:43 |
| 34 | Partita No. 5 in G Major, BWV 829：VI. Passepied | 00:01:53 |
| 35 | Partita No. 5 in G Major, BWV 829：VII. Gigue | 00:04:08 |
| 36 | Partita No. 2 In C Minor, BWV 826：I. Sinfonia | 00:04:45 |
| 37 | Partita No. 2 In C Minor, BWV 826：II. Allemande | 00:04:52 |
| 38 | Partita No. 2 In C Minor, BWV 826：III. Courante | 00:02:18 |
| 39 | Partita No. 2 In C Minor, BWV 826：IV. Sarabande | 00:03:33 |
| 40 | Partita No. 2 In C Minor, BWV 826：V. Rondeau | 00:01:57 |
| 41 | Partita No. 2 In C Minor, BWV 826：VI. Capriccio | 00:04:09 |
| 42 | Partita No. 3 in A Minor, BWV 827：I. Fantasia | 00:02:32 |
| 43 | Partita No. 3 in A Minor, BWV 827：II. Allemande | 00:03:20 |
| 44 | Partita No. 3 in A Minor, BWV 827：III. Corrente | 00:03:09 |
| 45 | Partita No. 3 in A Minor, BWV 827：IV. Sarabande | 00:03:28 |
| 46 | Partita No. 3 in A Minor, BWV 827：V. Burlesca | 00:02:20 |
| 47 | Partita No. 3 in A Minor, BWV 827：VI. Scherzo | 00:01:15 |
| 48 | Partita No. 3 in A Minor, BWV 827：VII. Gigue | 00:04:03 |
| 49 | Partita No. 6 in E Minor, BWV 830：I. Toccata | 00:07:18 |
| 50 | Partita No. 6 in E Minor, BWV 830：II. Allemande | 00:04:16 |
| 51 | Partita No. 6 in E Minor, BWV 830：III. Corrente | 00:05:37 |
| 52 | Partita No. 6 in E Minor, BWV 830：IV. Sarabande | 00:07:32 |
| 53 | Partita No. 6 in E Minor, BWV 830：V. Air | 00:01:37 |
| 54 | Partita No. 6 in E Minor, BWV 830：VI. Tempo di Gavotta | 00:02:14 |
| 55 | Partita No. 6 in E Minor, BWV 830：VII. Gigue | 00:06:19 |
专辑简介
L’univers de Benjamin Alard est celui de la musique de Jean-Sébastien Bach et c’est pour cette connivence musicale que le jury du Concours international de clavecin de Bruges lui décerne son premier prix en 2004.
Très jeune attiré par les mystères de l’orgue, ses premiers professeurs sont François Ménissier et Louis Thiry aux conservatoires de Dieppe puis de Rouen. C’est grâce à Elisabeth Joyé, avec laquelle il étudie à Paris, qu’il découvre le répertoire pour clavecin. En 2003, il intègre la Schola Cantorum de Bâle pour travailler avec Jörg-Andreas Bötticher, Jean-Claude Zehnder et Andrea Marcon.
