目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Péchés de vieillesse, Album III “Morceaux réservés”：No. 1, Quelques mesures de chant funèbre à mon pauvre ami Meyerbeer | 00:03:46 |
| 2 | Gesang der Geister über den Wassern, D. 714：Gesang der Geister über den Wassern, D. 714 | 00:10:22 |
| 3 | 4 Gesänge, Op. 17：No. 1, Es tönt ein voller Harfenklang | 00:03:57 |
| 4 | 4 Gesänge, Op. 17：No. 2, Lied von Shakespeare | 00:01:21 |
| 5 | 4 Gesänge, Op. 17：No. 3, Der Gärtner | 00:02:56 |
| 6 | 4 Gesänge, Op. 17：No. 4, Gesang aus Fingal | 00:06:23 |
| 7 | 3 Geistliche Gesänge, Op. 69：No. 3, Abendlied | 00:03:01 |
| 8 | Requiem, Op. 48 (1893 Version)：I. Introït et Kyrie | 00:05:43 |
| 9 | Requiem, Op. 48 (1893 Version)：II. Offertoire | 00:06:41 |
| 10 | Requiem, Op. 48 (1893 Version)：III. Sanctus | 00:03:04 |
| 11 | Requiem, Op. 48 (1893 Version)：IV. Pie Jesu | 00:03:09 |
| 12 | Requiem, Op. 48 (1893 Version)：V. Agnus Dei | 00:05:14 |
| 13 | Requiem, Op. 48 (1893 Version)：VI. Libera me | 00:04:31 |
| 14 | Requiem, Op. 48 (1893 Version)：VII. In Paradisum | 00:03:18 |
| 15 | Cantique de Jean Racine, Op. 11：Cantique de Jean Racine, Op. 11 | 00:04:43 |
专辑简介
All the sacred spirit of the Romantic era is embodied in these pages: Gabriel Fauré\’s Requiem offers itself without artifice, frank and generous. Begun in 1887 and carefully reworked over the years, the work unfolds with a spiritual fervour bathed in a halo of crystalline honesty, carried by a fluid choral writing. Victor Jacob conducts the Orchestre de l\’Opera Royal in revealing the 1893 version, the first complete edition of this masterpiece. Selected works by Brahms, Schubert, Rossini, and Rheinberger bridge the divine and the secular, transforming this album into a journey steeped in depth and melancholy, where the purity of the score draws the listener\’s mind into unsuspected reveries.
