目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
一个人 | 03:46 |
| 2 | 面对面 | 04:34 |
| 3 | 日子 | 04:46 |
| 4 | 词不达意 | 04:26 |
| 5 | 南方的风 | 04:36 |
| 6 | 放开手 | 04:24 |
| 7 | 箴言 | 04:33 |
| 8 | 要不要 | 04:13 |
| 9 | 日子 (Remix Version) | 02:51 |
| 10 | 呼吸 | 04:04 |
| 11 | 断线 | 04:20 |
| 12 | 相信 | 03:41 |
| 13 | 玩伴 | 03:56 |
| 14 | 一个人 (不安份Mix) | 03:07 |
专辑简介
林忆莲这张酝酿三年的国语专辑《呼吸》,从收歌、录音到整张专辑的概念形成,Sandy 都一如以往一样亲身参与。而首波主打歌则打破大家对 Sandy 既有的印象,选择翻唱自澳洲的新秩序合唱团 (New Order) 的一曲“Bizarre Love Triangle”为新曲“一个人”,大胆地挑战歌迷们对 Sandy 音乐的习惯!ony \’in three characteristic pictures\’, each devoted to a key character in the play: Faust, Gretchen and Mephistopheles. Rather than telling the story of the play, Liszt composed a psychological exploration of these three main figures. He was also a pioneer in his use of leitmotifs, i.e. short musical ideas that underline a trait of character or evoke feelings, a process that his future son-in-law, Richard Wagner, would take even further in his operas.
The Orchestre Philharmonique Royal de Liège, led by Gergely Madaras, presents the original, purely instrumental version of the Faust Symphony from 1854. This gigantic work is complemented by the first of the Mephisto Waltzes, inspired by Nikolaus Lenau\’s vision of the Faust myth. These two works offer two very different perspectives on Liszt\’s intense relationship with the character of Faust, and in particular with that of Mephistopheles, around whom many of his compositions are structured. They are key works for understanding Liszt\’s aesthetic project and the typical nineteenth-century tendency towards a combination of the arts.
































