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作为“援疆好声音”的第六辑，唱片《爱的收获》继续用好声音定位展现时代主旋律的中华气度和援疆精神。收入专辑的歌曲既有对援疆生活的抒情颂歌，也有对边疆美地的直接描写，《无悔援疆路》吹响了号角，《爱的收获》点亮了主题，哈密、胡杨、叶城、艾丁湖……从高山到草原，从城市到乡村，留下了援疆工作的足印。援疆是一种同呼吸、共命运的民族咏叹，在好声音风情中，得到最淋漓尽致的集中体现。就让援疆好声音连同这一方方热土，一个个身影成为时代的记忆。nds the categories of \’sacred\’ and \’secular\’, becoming morale e spirituale. . . Like a maestro di cappella preparing the liturgy for Vespers, Françoise Lasserre has drawn from this heterogeneous \’selva\’ the material for three almost complete vesper cycles, leaving aside those pieces that have no precise liturgical function (such as the five madrigali spirituali and the Pianto della Madonna). Thus she has reconstructed a festive office in the \’Vespers of Holy Martyrs\’ (using the Magnificat a 6 of 1610), a solemn office in the \’Solemn Vespers of St John the Baptist\’ (completed by the Dixit Dominus from the posthumous publication of 1650), and a more meditative office in the older style \’alla Palestrina\’ in the \’Vespers of a Confessor\’, to which she has added a Laudate pueri by Monteverdi\’s successor at St Mark\’s basilica, Giovanni Rovetta. Akadêmia pursues its impassioned exploration of the music of the seventeenth century, following earlier recordings of works by Cavalli, Monteverdi, and Schütz.