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克里斯蒂安·特兹拉夫（Christian Tetzlaff），1966年4月出生于德国汉堡，德国小提琴家，毕业于吕贝克音乐学院及辛辛那提大学音乐学院。 6岁学习小提琴，14岁首次登台，师从乌韦·马丁和沃尔特·列文。 其演奏涵盖古典、浪漫及20世纪作品，尤以诠释巴赫全套无伴奏奏鸣曲与组曲著称。曾与巴伐利亚广播交响乐团等合作巡演。Anaelle Tourret, they\’re simply a part of it and undoubtedly have their (historic and cultural) reasons.

\”There\’s this image of a harp, a \’salon\’ instrument, as something out of a fairy-tale. It\’s true, and it\’s part of our history, but it\’s not just that. I\’d like to widen this perspective.\” Since the mid- 19th century, the harp has been established as a solo instrument in the concert hall, alongside orchestral accompaniment. That\’s why Tourret is now following up her celebrated CD debut of solo works with a recording of three concert works – a captivating listening experience with the potential to amaze.

Anaelle Tourret should be well known to concert audiences in northern Germany. Since 2017, she has been the Principal Harpist of the NDR Elbphilharmonie Orchestra in Hamburg, where she also – as the former winner of the Berenberg Culture Prize (2019) – holds a teaching position at the local music college. The master student of Xavier de Maistre has long been one of the leading harp soloists of her generation – and is a much sought-after guest in concert halls around the world from Lucerne to Berlin to Tokyo. Tourret\’s frst foray into the recording studio in 2021 was equally successful: her album \”Perspectives\” with original works for solo harp by Andre Caplet, Paul Hindemith, Benjamin Britten and Heinz Holliger was nominated for the International Classical Music Award 2023.