目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
The Kingdom, Op. 51 (Edward Elgar)：Prelude | 00:08:33 |
|
2 |
The Kingdom, Op. 51：Ia. In The Upper Room – “Seek first the kingdom” | 00:08:06 |
|
3 |
The Kingdom, Op. 51：Ib. In The Upper Room – “Men and brethren” | 00:08:26 |
|
4 |
The Kingdom, Op. 51：II. At the Beautiful Gate – “The singers are before the altar” | 00:05:27 |
|
5 |
The Kingdom, Op. 51：IIIa. Pentecost – “And when the day of Pentecost was fully come” | 00:04:43 |
|
6 |
The Kingdom, Op. 51：IIIb. Pentecost – “And suddenly there came from heaven” | 00:05:35 |
|
7 |
The Kingdom, Op. 51：IIIc. Pentecost – “Ye men of Judea” | 00:13:26 |
|
8 |
The Kingdom, Op. 51：IVa. The Sign of Healing – “Then they that gladly received his word” | 00:08:47 |
|
9 |
The Kingdom, Op. 51：IVb. The Sign of Healing – “And as they spake” | 00:09:09 |
|
10 |
The Kingdom, Op. 51：Va. The Upper Room – “The Voice of Joy” | 00:08:22 |
|
11 |
The Kingdom, Op. 51：Vb. The Upper Room – “Give thanks first for the Cup” | 00:08:44 |
专辑简介
Elgar’s unjustly neglected ‘greatest choral masterpiece’ (Jeremy Dibble) is given an outstanding new recording by conductor David Temple, Crouch End Festival Chorus, London Mozart Players, and soloists Francesca Chiejina, Dame Sarah Connolly, Benjamin Hulett and Ashley Riches. Composed in 1906 after The Dream of Gerontius and The Apostles, The Kingdom depicts the lives of Christ’s disciples and the community of the early church with a mixture of gentle conversational sections and astonishing dramatic passages. Recorded in the recently restored Victorian Theatre at Alexandra Palace, its fluid musical narrative is both arresting and profoundly moving. Echoing Sir Adrian Boult, David Temple considers the oratorio to be Elgar’s pinnacle achievement. ‘I truly believe The Kingdom to be Elgar’s greatest choral work. It is a gem from the first note to the last.’
