目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Métamorphoses, FP 121 (Transcr. for Violin & Piano by Hongyi Mo)：No. 1, Reine des mouettes | 00:01:04 |
| 2 | Métamorphoses, FP 121 (Transcr. for Violin & Piano by Hongyi Mo)：No. 2, C’est ainsi que tue es | 00:02:30 |
| 3 | Métamorphoses, FP 121 (Transcr. for Violin & Piano by Hongyi Mo)：No. 3, Paganini | 00:01:13 |
| 4 | Banalités, FP 107：No. 2, Hôtel (Transcr. for Violin & Piano by Hongyi Mo) | 00:02:01 |
| 5 | Violin Sonata, FP 119：I. Allegro con fuoco | 00:06:24 |
| 6 | Violin Sonata, FP 119：II. Intermezzo | 00:06:20 |
| 7 | Violin Sonata, FP 119：III. Presto tragico | 00:05:19 |
| 8 | 2 Poèmes de Louis Aragon, FP 122 (Transcr. for Violin & Piano by Hongyi Mo)：No. 1, C. | 00:02:56 |
| 9 | 2 Poèmes de Louis Aragon, FP 122 (Transcr. for Violin & Piano by Hongyi Mo)：No. 2, Fêtes galantes | 00:00:57 |
| 10 | Fiançailles pour rire, FP 101：No. 5, Violon (Transcr. for Violin & Piano by Hongyi Mo) | 00:02:14 |
| 11 | Banalités, FP 107：No. 4, Voyage à Paris (Transcr. for Violin & Piano by Hongyi Mo) | 00:01:02 |
| 12 | Bleuet, FP 102：Bleuet, FP 102 (Transcr. for Violin & Piano by Hongyi Mo) | 00:03:13 |
| 13 | Les chemins de l’amour, FP 106a：Les chemins de l’amour, FP 106a (Transcr. for Violin & Piano by Hongyi Mo) | 00:04:24 |
| 14 | Oboe Sonata, FP 185 (Transcr. for Violin & Piano by Hongyi Mo)：I. Élégie | 00:05:05 |
| 15 | Oboe Sonata, FP 185 (Transcr. for Violin & Piano by Hongyi Mo)：II. Scherzo | 00:04:04 |
| 16 | Oboe Sonata, FP 185 (Transcr. for Violin & Piano by Hongyi Mo)：III. Déploration | 00:04:32 |
专辑简介
\”The core intent of this album is to lead listeners into an overlooked but profoundly important aspect of classical instrumental music: its inherent literary quality. In Poulenc’s art songs, the poetry deeply influences the performer’s approach to melody, harmony, and imagery in ways that are both profound and unique,\” writes Hongyi in the album notes. \”It is the pursuit of the unattainable, the possibilities of fleeting moments that come tantalizingly close to perfection, that draws me irresistibly to Poulenc’s art songs.\”
Mo explains how he chose the title for the album, \”Métamorphoses,\” which is also the name of one of the song cycles on the recording. “Although it’s not uncommon for instrumentalists to perform vocal art songs, a large-scale interpretation carries a deeper meaning. It’s not simply about showcasing melodic beauty; rather, it’s a serious and focused exploration of the literary qualities inherent in instrumental music, particularly those inspired by the rich expressiveness of poetry. This, in essence, is a kind of metamorphosis, or transformation.”
Since 2008, Hongyi has been an esteemed member of the Detroit Symphony Orchestra, where he regularly serves as guest principal second violin. His versatility as a musician has also led to collaborations with artists from diverse genres, including Andrea Bocelli and Eminem.
