目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Suite in C Major, K. 399/385i: I. Ouverture (Arr. for Organ by David Goode) | 00:04:38 |
| 2 | Suite in C Major, K. 399/385i: II. Fuge (Arr. for Organ by David Goode) | 00:05:20 |
| 3 | Adagio and Allegro in F Minor, K. 594 | 00:11:55 |
| 4 | Adagio and Fugue in C Minor, K. 546: II. Fugue (Arr. for Organ by William Best) | 00:05:13 |
| 5 | Andante in F Major, K. 616 | 00:07:44 |
| 6 | The London Sketchbook, K. 15a-15ss: No. 1, Allegro in F Major, K. 15a (Arr. for Organ by David Goode) | 00:01:24 |
| 7 | The London Sketchbook, K. 15a-15ss: No. 2, Andantino in C Major, K. 15b (Arr. for Organ by David Goode) | 00:01:22 |
| 8 | The London Sketchbook, K. 15a-15ss: No. 14, Andante in D Major, K. 15o (Arr. for Organ by David Goode) | 00:02:14 |
| 9 | The London Sketchbook, K. 15a-15ss: No. 16, Andante in B-Flat Major, K. 15q (Arr. for Organ by David Goode) | 00:03:15 |
| 10 | Fugue in G Minor, K. 401/375e | 00:04:27 |
| 11 | The London Sketchbook, K. 15a-15ss: No. 35, Andante in B-Flat Major, K. 15ii (Arr. for Organ by David Goode) | 00:03:19 |
| 12 | The London Sketchbook, K. 15a-15ss: No. 34, Rondo in F Major, K. 15hh (Arr. for Organ by David Goode) | 00:01:23 |
| 13 | The London Sketchbook, K. 15a-15ss: No. 26, Gigues in C Minor, K. 15z (Arr. for Organ by David Goode) | 00:03:00 |
| 14 | 2 Versettes, K. 154a: No. 1 in G Major | 00:00:33 |
| 15 | 2 Versettes, K. 154a: No. 2 in D Major | 00:00:28 |
| 16 | Contrapuntal Study in B Minor, K. 620b “Ach Gott vom Himmel sieh darein” | 00:01:48 |
| 17 | Gigue in G Major, K. 574: Gigue in G Major, K. 574 (Version for Organ) | 00:01:58 |
| 18 | Adagio in C Major, K. 356/617a: Adagio in C Major, K. 356/617a (Arr. for Organ by David Goode) | 00:03:15 |
| 19 | Fantasia in F Minor for Mechanical Organ, K. 608 | 00:10:45 |
专辑简介
Following on from his JS Bach Complete Organ Works collection performed on the organ at Trinity College Cambridge, David Goode returns with an album of organ works by WA Mozart. It is well known that Mozart highly esteemed the organ as an instrument (for example, his famous ‘King of Instruments’ remark) and enjoyed improvising at length. However, this sadly did not translate into writing for the instrument. Organist David Goode explores these works, and those which even may not have been intended for organ, and discusses in his programme notes how best to render them for two hands and feet, and how to register them suitably.
