目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Der Kiffhäuser Berg, Op. 89 | 00:08:45 |
| 2 | Overture | 00:08:45 |
| 3 | Schön Ella, Op. 27 (Excerpts) | 00:32:46 |
| 4 | Overture | 00:06:22 |
| 5 | Entr’acte to Act II | 00:02:32 |
| 6 | Ballet | 00:12:04 |
| 7 | Entr’acte to Act III | 00:01:30 |
| 8 | Entr’acte to Act IV | 00:03:24 |
| 9 | Marsch der Krieger und Mädchen | 00:02:40 |
| 10 | Entr’acte to Act V | 00:04:12 |
| 11 | Ali Baba, Op. 26 (Excerpts) | 00:19:07 |
| 12 | Overture | 00:07:24 |
| 13 | Melodrama | 00:01:41 |
| 14 | Schluss to Act II | 00:02:09 |
| 15 | Ballet | 00:06:18 |
| 16 | Schluss to Act III | 00:01:33 |
| 17 | Der Holzdieb | 00:04:43 |
| 18 | Overture | 00:04:43 |
| 19 | Die Wiener in Berlin | 00:06:11 |
| 20 | Overture | 00:06:11 |
专辑简介
Heinrich Marschner, the leading German composer of Romantic opera between Weber and Wagner, was a progressive innovator, bringing to his music a new dimension – the supernatural anti-hero enmeshed in horror, such as the protagonist of Der Vampyr (1828). Before his psychological operas, however, Marschner composed a series of overtures and stage works exploring more conventional material. These have long been overlooked. In this first volume Schön Ella represents Marschner\’s mastery of form, skilful orchestration and melodic gifts, while the excerpts from Ali Baba reveal his flair for theatrical concision and mood setting.
