目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Ultimi miei sospiri | 00:03:25 |
|
2 |
Magnificat secundi tono “Ultimi miei sospiri”, LV 1182 | 00:08:13 |
|
3 |
Quanto in mille anni | 00:03:54 |
|
4 |
Magnificat secundi toni “Quanto in mille anni”, LV 889 | 00:09:15 |
|
5 |
S’io credessi per morte | 00:02:53 |
|
6 |
Magnificat tertii toni “S’io credessi per morte”, LV 1152 | 00:06:45 |
|
7 |
Alma real | 00:03:56 |
|
8 |
Magnificat octavi toni “Alma real”, LV 1179 | 00:07:26 |
|
9 |
O s’io potessi donna | 00:02:26 |
|
10 |
Magnificat secundi toni “O s’io potessi donna”, LV 1151 | 00:06:06 |
|
11 |
Vergine bella | 00:03:34 |
|
12 |
Magnificat primi toni “Vergine bella”, LV 1159 | 00:08:21 |
|
13 |
Quando lieta sperai | 00:04:13 |
|
14 |
Magnificat quarti toni “Quando lieta sperai”, LV 896 | 00:07:41 |
|
15 |
O che vezzosa aurora | 00:02:01 |
|
16 |
Magnificat secundi toni “O che vezzosa aurora”, LV 1183 | 00:08:24 |
|
17 |
Erano i capei d’oro | 00:04:02 |
|
18 |
Magnificat septimi toni “Erano i capei d’oro”, LV 1175 | 00:08:27 |
|
19 |
D’ogni gratia e d’amor | 00:02:30 |
|
20 |
Magnificat septimi toni “D’ogni gratia e d’amor”, LV 1188 | 00:08:39 |
|
21 |
Ecco ch’io lasso il core | 00:02:16 |
|
22 |
Magnificat secundi toni “Ecco ch’io lasso il core”, LV 893 | 00:07:46 |
|
23 |
Ancor che col partire | 00:02:09 |
|
24 |
Magnificat quarti toni “Ancor che col partire”, LV 557 | 00:08:05 |
|
25 |
Da le belle contrade | 00:03:52 |
|
26 |
Magnificat sexti toni “Da le belle contrade”, LV 1171 | 00:08:40 |
|
27 |
S’io esca vivo | 00:03:11 |
|
28 |
Magnificat septimi toni “S’io esca vivo”, LV 1189 | 00:09:03 |
专辑简介
Under the direction of Philip Cave, Magnificat embarks on a three-volume journey exploring the ingenuity of Orlandus Lassus. In this rich collection of Magnificats based on polyphonic models, Lassus – ‘The Alchemist’ – demonstrates an unsurpassed ability to reimagine existing material in the creation of his own works. This first volume of the series presents Lassus’s Magnificats based on madrigals, featuring models by Philippe Verdelot, Cipriano de Rore, and Alessandro Striggio among others. The second album will comprise Lassus’s canticles based on motets, and the third will conclude with those inspired by chansons. In celebrating Lassus as ‘The Alchemist’, Magnificat reveals the creative process and skill he employed in re-working the original music and illuminates a significant repertory that is underrepresented in contemporary liturgical or concert settings.
