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目录
| # | 曲目 | 时长/大小 |
|---|---|---|
|
1 |
Cello Suite No. 1 in G Major, BWV 1007：I. Prélude | 00:02:38 48M |
| 2 | Cello Suite No. 1 in G Major, BWV 1007：II. Allemande | 00:04:29 82M |
| 3 | Cello Suite No. 1 in G Major, BWV 1007：III. Courante | 00:02:32 46M |
| 4 | Cello Suite No. 1 in G Major, BWV 1007：IV. Sarabande | 00:02:52 51M |
| 5 | Cello Suite No. 1 in G Major, BWV 1007：V. Menuets I & II | 00:03:15 58M |
| 6 | Cello Suite No. 1 in G Major, BWV 1007：VI. Gigue | 00:01:51 32M |
| 7 | Cello Suite No. 2 in D Minor, BWV 1008：I. Prélude | 00:04:20 78M |
| 8 | Cello Suite No. 2 in D Minor, BWV 1008：II. Allemande | 00:03:44 68M |
| 9 | Cello Suite No. 2 in D Minor, BWV 1008：III. Courante | 00:01:57 35M |
| 10 | Cello Suite No. 2 in D Minor, BWV 1008：IV. Sarabande | 00:04:49 85M |
| 11 | Cello Suite No. 2 in D Minor, BWV 1008：V. Menuets I & II | 00:02:58 53M |
| 12 | Cello Suite No. 2 in D Minor, BWV 1008：VI. Gigue | 00:02:46 48M |
| 13 | Cello Suite No. 3 in C Major, BWV 1009：I. Prélude | 00:03:28 63M |
| 14 | Cello Suite No. 3 in C Major, BWV 1009：II. Allemande | 00:03:46 67M |
| 15 | Cello Suite No. 3 in C Major, BWV 1009：III. Courante | 00:02:59 53M |
| 16 | Cello Suite No. 3 in C Major, BWV 1009：IV. Sarabande | 00:04:10 73M |
| 17 | Cello Suite No. 3 in C Major, BWV 1009：V. Bourées I & II | 00:03:39 65M |
| 18 | Cello Suite No. 3 in C Major, BWV 1009：VI. Gigue | 00:03:11 57M |
| 19 | Cello Suite No. 4 in E Flat Major, BWV 1010：I. Prélude | 00:04:09 75M |
| 20 | Cello Suite No. 4 in E Flat Major, BWV 1010：II. Allemande | 00:04:02 73M |
| 21 | Cello Suite No. 4 in E Flat Major, BWV 1010：III. Courante | 00:03:35 64M |
| 22 | Cello Suite No. 4 in E Flat Major, BWV 1010：IV. Sarabande | 00:04:27 79M |
| 23 | Cello Suite No. 4 in E Flat Major, BWV 1010：V. Bourées I & II | 00:04:49 87M |
| 24 | Cello Suite No. 4 in E Flat Major, BWV 1010：VI. Gigue | 00:02:51 50M |
| 25 | Cello Suite No. 5 in C Minor, BWV 1011：I. Prélude | 00:06:02 110M |
| 26 | Cello Suite No. 5 in C Minor, BWV 1011：II. Allemande | 00:05:36 102M |
| 27 | Cello Suite No. 5 in C Minor, BWV 1011：III. Courante | 00:02:02 37M |
| 28 | Cello Suite No. 5 in C Minor, BWV 1011：IV. Sarabande | 00:03:50 66M |
| 29 | Cello Suite No. 5 in C Minor, BWV 1011：V. Gavottes I & II | 00:04:55 89M |
| 30 | Cello Suite No. 5 in C Minor, BWV 1011：VI. Gigue | 00:02:25 42M |
| 31 | Cello Suite No. 6 in D Major, BWV 1012：I. Prélude | 00:04:52 91M |
| 32 | Cello Suite No. 6 in D Major, BWV 1012：II. Allemande | 00:08:14 151M |
| 33 | Cello Suite No. 6 in D Major, BWV 1012：III. Courante | 00:03:53 70M |
| 34 | Cello Suite No. 6 in D Major, BWV 1012：IV. Sarabande | 00:05:18 97M |
| 35 | Cello Suite No. 6 in D Major, BWV 1012：V. Gavottes I & II | 00:04:12 78M |
| 36 | Cello Suite No. 6 in D Major, BWV 1012：VI. Gigue | 00:04:14 78M |
专辑简介
没有人知道约翰·塞巴斯蒂安·巴赫为什么要创作六首大提琴独奏组曲。也没有人知道这些组曲是如何被遗忘的，一个多世纪后，一位 13 岁的西班牙音乐神童在巴塞罗那的一家二手书店里发现了一本破旧的乐谱。在接下来的 11 年里，巴勃罗·卡萨尔斯每天都在练习这些乐曲。最后，在 1936 年，他走进伦敦的艾比路录音室，首次录制了第二和第三组曲。剩下的，正如人们所说，就是历史了。
如今，巴赫的大提琴组曲已成为所有有抱负的大提琴家的必修课。对于丹麦国家交响乐团大提琴独奏家亨利克·达姆·汤姆森（Henrik Dam Thomsen）来说，巴赫大提琴组曲是他生命中不可或缺的一部分，正如所有顶级大提琴家一样。汤姆森有机会更深入地沉浸在巴赫组曲中。当一个人演奏组曲时，他必须在现有的所有巴洛克音乐知识中做出许多选择。汤姆森认为，重要的是要忠实于他自己的乐器，并用他的固定大提琴–一把1680年制造的弗朗切斯科·鲁盖里大提琴（ Francesco Ruggieri）–进行演奏，使用现代琴弦，用传统琴弓演奏，并将音调调至通常的442赫兹。这些选择确保了组曲整体的最佳同一性。组曲在哥本哈根巴洛克风格的加尼森教堂（Garnisons Kirke）中录制。
