试听
目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Symphony No. 35 in D Major, K. 385 “Haffner”：I. Allegro con spirito | 00:05:32 |
| 2 | Symphony No. 35 in D Major, K. 385 “Haffner”：II. Andante | 00:04:49 |
| 3 | Symphony No. 35 in D Major, K. 385 “Haffner”：III. Menuetto & Trio | 00:03:31 |
| 4 | Symphony No. 35 in D Major, K. 385 “Haffner”：IV. Finale. Presto | 00:04:02 |
| 5 | Symphony No. 36 in C Major, K. 425 “Linz”：I. Adagio – Allegro spiritoso | 00:07:58 |
| 6 | Symphony No. 36 in C Major, K. 425 “Linz”：II. Andante | 00:07:15 |
| 7 | Symphony No. 36 in C Major, K. 425 “Linz”：III. Menuetto & Trio | 00:03:31 |
| 8 | Symphony No. 36 in C Major, K. 425 “Linz”：IV. Presto | 00:06:01 |
| 9 | Symphony No. 38 in D Major, K. 504 “Prague”：I. Adagio – Allegro | 00:10:23 |
| 10 | Symphony No. 38 in D Major, K. 504 “Prague”：II. Andante | 00:08:34 |
| 11 | Symphony No. 38 in D Major, K. 504 “Prague”：III. Finale. Presto | 00:06:23 |
| 12 | Symphony No. 39 in E-Flat Major, K. 543：I. Adagio – Allegro | 00:09:05 |
| 13 | Symphony No. 39 in E-Flat Major, K. 543：II. Andante con moto | 00:07:38 |
| 14 | Symphony No. 39 in E-Flat Major, K. 543：III. Menuetto & Trio. Allegretto | 00:04:14 |
| 15 | Symphony No. 39 in E-Flat Major, K. 543：IV. Finale. Allegro | 00:04:18 |
| 16 | Symphony No. 40 in G Minor, K. 550：I. Molto allegro | 00:08:26 |
| 17 | Symphony No. 40 in G Minor, K. 550：II. Andante | 00:08:04 |
| 18 | Symphony No. 40 in G Minor, K. 550：III. Menuetto & Trio. Allegretto | 00:04:46 |
| 19 | Symphony No. 40 in G Minor, K. 550：IV. Allegro assai | 00:05:11 |
| 20 | Symphony No. 41 in C Major, K. 551 “Jupiter”：I. Allegro vivace | 00:07:38 |
| 21 | Symphony No. 41 in C Major, K. 551 “Jupiter”：II. Andante cantabile | 00:07:38 |
| 22 | Symphony No. 41 in C Major, K. 551 “Jupiter”：III. Menuetto & Trio. Allegretto | 00:05:23 |
| 23 | Symphony No. 41 in C Major, K. 551 “Jupiter”：IV. Molto allegro | 00:000:06:26 |
专辑简介
Karl Bohm was one of this century\’s great Mozart conductors–a fact that\’s apt to be forgotten in the flood of authentic instrument productions, many of them on DG\’s associated labels. He conducted Mozart with real love and affection, maintaining moderate tempos, allowing each work\’s gorgeous melodies a chance to sing and breathe. Mozart\’s symphonic music has its roots in the opera house, and so did Bohm. Listening to the witty woodwind interjections in the finale of Symphony No. 39, for example, you can readily imagine the witty exchanges of different characters in one of Mozart\’s comic operas. These beautifully recorded versions of Mozart\’s greatest symphonies belong in the collection of every fan of the composer. –David Hurwitz
