目录
| # | 曲目 | 时长 |
|---|---|---|
1 | Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | 00:02:53 |
2 | Carmen Concert Fantasy, Op. 25: II. Moderato | 00:02:08 |
3 | Carmen Concert Fantasy, Op. 25: III. Lento assai | 00:02:27 |
4 | Carmen Concert Fantasy, Op. 25: IV. Allegro moderato | 00:01:52 |
5 | Carmen Concert Fantasy, Op. 25: V. Moderato | 00:02:34 |
6 | Thaïs, Act 2: Méditation | 00:05:32 |
7 | Tzigane, M. 76 | 00:10:00 |
8 | Romance for Violin and Orchestra in F Minor, Op. 11, B. 39 | 00:11:12 |
9 | Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | 00:08:09 |
10 | Orchestral Suite No. 3 in D Major, BWV 1068: Air (Perf. by Violin and Orchestra) | 00:04:45 |
11 | Zigeunerweisen, Op. 20 | 00:08:22 |
专辑简介
Here\’s a handy collection of popular works for violin and orchestra. The title apparently refers to the mix of warmly romantic music, like the Massenet Méditation, and flashy virtuoso stuff, like the Sarasate Carmen Fantasy and Zigeunerweisen. Sarah Chang excels in both areas. Her Dvorák and Beethoven Romances are sweetly sung, while the insanely virtuosic Tzigane by Ravel, with its wild staccato and chordal effects, she tosses off without breaking a sweat. Except for the romanticized Bach Air from the Suite No. 3, there are no stylistic transgressions, and the mix of fiery virtuoso fare and romantic slower beauties keeps interest alive throughout. Conductor Placido Domingo\’s proficient accompaniments don\’t get in her way. All the selections are familiar. Such violin virtuosi as Suk, Oistrakh, Grumiaux, Vengerov, and Perlman have recorded most of them, often coming closer to capturing the inner glow of the music. But Chang\’s exciting performances can\’t fail to please, especially if you want all these favorites on one disc. –Dan Davis
