目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
In the Mirror – I. For Hester | 00:02:12 |
| 2 | In the Mirror – II. Jigbaredosh | 00:03:43 |
| 3 | In the Mirror – III. Lacrimosa | 00:02:59 |
| 4 | In the Mirror – IV. On Malvern Hill | 00:03:42 |
| 5 | Peace (Arr. for Cello & Piano by Heather Tuach & Yoko Misumi) | 00:04:10 |
| 6 | Whispered Lullaby (Arr. for Cello & Piano by Heather Tuach & Yoko Misumi) | 00:04:37 |
| 7 | String Poetic – II. Nocturne (Arr. for Cello & Piano by Anonymous) | 00:04:26 |
| 8 | Halcyon | 00:06:15 |
| 9 | Psalm | 00:04:13 |
| 10 | Lalai (Version for Cello & Piano) | 00:06:15 |
| 11 | When Music Sounds | 00:03:14 |
| 12 | Cello Sonata – II. Sarabande | 00:04:22 |
| 13 | Divertimento for Cello & Piano – IV. Vigil | 00:02:36 |
| 14 | Lonely Mere & Rigaudon – I. Lonely Mere | 00:04:06 |
| 15 | 3 Pieces for Cello & Piano – No. 1, Aria | 00:02:18 |
| 16 | 3 Pieces for Cello & Piano – No. 1, Modéré | 00:02:18 |
| 17 | 3 Pieces for Cello & Piano – No. 2, Sans vitesse et à l’aise | 00:01:20 |
| 18 | 3 Pieces for Cello & Piano – No. 3, Vite et nerveusement rythmé | 00:02:45 |
专辑简介
Heather Tuach,Yoko Misumi – In the Mirror In the Mirror is an exquisite collection of works by contemporary women composers, masterfully interpreted by cellist Heather Tuach and pianist Yoko Misumi, both members of the celebrated Greenwich Trio. This album is not just a recording–it is an emotional journey born of reflection, healing, and hope. The title piece, composed by Liz Dilnot Johnson, was commissioned specifically for this project, setting the tone for an album steeped in introspection and serenity. The repertoire features original works and new arrangements by renowned composers including Dobrinka Tabakova and Jessie Montgomery, whose contributions enhance the album\’s contemplative spirit. Each piece carries its own story, from Jocelyn Morlock\’s bird inspired Halcyon to Jennifer Higdon\’s nocturnal reverie Nocturne. These works are tied together by a shared exploration of human resilience and the quiet strength found in moments of introspection. The project began during the upheaval of the COVID-19 pandemic and became deeply personal for pianist Yoko Misumi, who underwent successful cancer treatment during its recording. Returning to the piano after her recovery, Misumi found solace and renewal in these compositions, describing the experience as \”an emotional and musical healing.\”
