目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Flute Concerto in A Minor, Wq. 166, H. 431：I. Allegro assai | 00:08:34 |
| 2 | Flute Concerto in A Minor, Wq. 166, H. 431：II. Andante | 00:07:20 |
| 3 | Flute Concerto in A Minor, Wq. 166, H. 431：III. Allegro assai | 00:06:22 |
| 4 | Flute Concerto in G Major, Wq. 169, H. 445：I. Allegro di molto | 00:10:45 |
| 5 | Flute Concerto in G Major, Wq. 169, H. 445：II. Largo | 00:07:09 |
| 6 | Flute Concerto in G Major, Wq. 169, H. 445：III. Presto | 00:05:29 |
| 7 | Flute Concerto in D Minor, Wq. 22, H. 425：I. Allegro | 00:07:33 |
| 8 | Flute Concerto in D Minor, Wq. 22, H. 425：II. Un poco andante | 00:07:00 |
| 9 | Flute Concerto in D Minor, Wq. 22, H. 425：III. Allegro di molto | 00:05:46 |
专辑简介
Carl Philipp Emanuel Bach (1714-1788) was regarded as one of the greatest theoretical and practical musicians of his time even during his lifetime; arguably the most famous son of Johann Sebastian Bach, he broke new ground in the concerto genre between the Baroque and Classical periods.
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His flute concerti are not only technically exceptionally demanding but are particularly challenging “in the art of expression”, to quote one of his contemporaries. In this new recording of C. P. E. Bach: Flute Concertos in A minor (Wq 166 / H. 431), G major (Wq 169 / H. 445) and D minor (Wq 22 / H. 425) the Georgian Chamber Orchestra Ingolstadt and Ariel Zuckermann (Solo Flute and Conductor) invoke the zärtliche Empfindungen, the tender sentiments that the composer considered essential in order to reveal new aspects of music.
