目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: I. Allegro | 03:21 |
| 2 | The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: II. Largo e pianissimo sempre | 03:01 |
| 3 | The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: III. Allegro | 04:07 |
| 4 | The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 “Summer”: I. Allegro non molto – Allegro | 04:47 |
| 5 | The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 “Summer”: II. Adagio e piano – Presto e forte | 01:46 |
| 6 | The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 “Summer”: III. Presto | 02:51 |
| 7 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: I. Allegro | 04:40 |
| 8 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: II. Adagio molto | 02:17 |
| 9 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: III. Allegro | 03:14 |
| 10 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: I. Allegro non molto – Allegro | 03:19 |
| 11 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: II. Largo | 02:04 |
| 12 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: III. Allegro | 03:05 |
| 13 | Concerto in G Minor, RV 577 “Per l’Orchestra di Dresda”: I. Allegro | 03:51 |
| 14 | Concerto in G Minor, RV 577 “Per l’Orchestra di Dresda”: II. Largo non molto | 02:24 |
| 15 | Concerto in G Minor, RV 577 “Per l’Orchestra di Dresda”: III. Allegro | 03:35 |
| 16 | The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: I. Allegro | 03:06 |
| 17 | The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: II. Largo e pianissimo sempre | 02:14 |
| 18 | The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 “Spring”: III. Allegro | 03:51 |
| 19 | The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 “Summer”: I. Allegro non molto – Allegro | 04:45 |
| 20 | The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 “Summer”: II. Adagio e piano – Presto e forte | 02:01 |
| 21 | The Four Seasons, Summer, Violin Concerto in G Minor, RV 315, Op. 8 No. 2: III. Presto | 02:50 |
| 22 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: I. Allegro | 04:28 |
| 23 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: II. Adagio molto | 03:32 |
| 24 | The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 “Autumn”: III. Allegro | 03:06 |
| 25 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: I. Allegro non molto – Allegro | 03:40 |
| 26 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: II. Largo | 01:30 |
| 27 | The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 “Winter”: III. Allegro | 03:28 |
| 28 | Tannhäuser, WWV 70: Overture | 14:25 |
| 29 | Parsifal, WWV 111: Prelude | 12:35 |
| 30 | Parsifal, WWV 111, Act III Suite (Ed. Abbado): Karfreitagszauber “Good Friday Music” | 03:11 |
| 31 | Parsifal, WWV 111, Act III Suite (Ed. Abbado): Verwandlungsmusik “Transformation Music” | 06:28 |
| 32 | Parsifal, WWV 111, Act III Suite (Ed. Abbado): Procession. Ritterzug | 09:05 |
| 33 | Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor | 07:14 |
| 34 | Tristan und Isolde, WWV 90, Act I: Prelude | 10:14 |
| 35 | Tristan und Isolde, WWV 90, Act III: Liebestod (Concert Version) | 06:46 |
| 36 | Der fliegende Holländer, WWV 63: Overture | 10:35 |
| 37 | Der fliegende Holländer, WWV 63, Act I: Die Frist ist um – Ew’ge Vernichtung, nimm uns auf | 10:56 |
| 38 | Die Meistersinger von Nürnberg, WWV 96, Act III: Wahn! Wahn! Überall Wahn! | 07:15 |
| 39 | Die Meistersinger von Nürnberg, WWV 96, Act II: Was duftet doch der Flieder | 06:49 |
| 40 | Tannhäuser, WWV 70, Act III: Wie Todesahnung – O du mein holder Abendstern “Oh Star of Eve” | 05:40 |
| 41 | Parsifal, WWV 111, Act I: Nein! Lasst ihn unenthüllt | 08:05 |
| 42 | Parsifal, WWV 111, Act III: Ja, Wehe! Weh’ über mich! | 06:25 |
| 43 | Die Walküre, WWV 86B, Act III: Leb wohl … Loge hör! “Wotan’s Farewell and Magic Fire Music” | 16:09 |
| 44 | Tannhäuser, WWV 70: Overture (Concert Version, Live at Philharmonie, Berlin, 1993) | 14:24 |
| 45 | Tannhäuser, WWV 70, Act II: Dich, teure Halle, grüß ich wieder | 03:25 |
| 46 | Tannhäuser, WWV 70, Act III: Wie Todesahnung – O du mein holder Abendstern “Oh Star of Eve” | 05:47 |
| 47 | Lohengrin, WWV 75, Act II Scene 2: Duet. In ferner Einsamkeit des Waldes – Um Gott, was klagest du mich an | 14:19 |
| 48 | Die Meistersinger von Nürnberg, WWV 96: Overture (Prelude) | 10:22 |
| 49 | Die Meistersinger von Nürnberg, WWV 96, Act II: Was duftet doch der Flieder | 06:35 |
| 50 | Die Walküre, WWV 86B, Act I: Dich selige Frau – Winterstürme wichen dem Wonnemond … Siegmund, den Wälsung | 16:34 |
| 51 | Die Walküre, WWV 86B, Act III: Der Walküren-Ritt (Live at Philharmonie, Berlin, 1993) | 04:59 |
| 52 | Lohengrin, WWV 75, Act I: Prelude | 08:23 |
| 53 | Lohengrin, WWV 75, Act I Scene 1: Hört, Grafen, Edle, Freie von Brabant! | 04:31 |
| 54 | Lohengrin, WWV 75, Act I Scene 1: Dank, König, dir, daß du zu richten kamst! | 06:25 |
| 55 | Lohengrin, WWV 75, Act I Scene 2: Seht hin! Sie naht, die hart Beklagte! | 03:37 |
| 56 | Lohengrin, WWV 75, Act I Scene 2: Einsam in trüben Tagen “Elsa’s Dream” | 07:07 |
| 57 | Lohengrin, WWV 75, Act I Scene 2: Des Ritters will ich wahren | 02:42 |
| 58 | Lohengrin, WWV 75, Act I Scene 2: Ohn’ Antwort ist der Ruf verhallt! | 04:39 |
| 59 | Lohengrin, WWV 75, Act I Scene 3: Nun sei bedankt, mein lieber Schwan! | 05:22 |
| 60 | Lohengrin, WWV 75, Act I Scene 3: Wenn ich im Kampfe für dich siege | 04:03 |
| 61 | Lohengrin, WWV 75, Act I Scene 3: Welch holde Wunder muss ich sehen? | 03:46 |
| 62 | Lohengrin, WWV 75, Act I Scene 3: Nun höret mich und achtet wohl – Mein Herr und Gott, nun ruf’ ich dich | 07:20 |
| 63 | Lohengrin, WWV 75, Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein | 04:02 |
| 64 | Lohengrin, WWV 75, Act II: Introduction | 04:19 |
| 65 | Lohengrin, WWV 75, Act II Scene 1: Erhebe dich, Genossin meiner Schmach! | 03:37 |
| 66 | Lohengrin, WWV 75, Act II Scene 1: Was macht dich in so wilder Klage doch vergehn? | 04:05 |
| 67 | Lohengrin, WWV 75, Act II Scene 1: Du wilde Seherin | 07:52 |
| 68 | Lohengrin, WWV 75, Act II Scene 2: Euch Lüften, die mein Klagen | 03:25 |
| 69 | Lohengrin, WWV 75, Act II Scene 2: Elsa! … Wer ruft? | 05:47 |
| 70 | Lohengrin, WWV 75, Act II Scene 2: Ortrud, wo bist du? | 10:55 |
| 71 | Lohengrin, WWV 75, Act II Scene 3: In Früh’n versammelt uns der Ruf “Morgenlied” | 04:48 |
| 72 | Lohengrin, WWV 75, Act II Scene 3: Des Königs Wort und Will’ tu ich euch kund | 06:03 |
| 73 | Lohengrin, WWV 75, Act II Scene 3: Nun hört, dem Lande will er uns entführen | 02:06 |
| 74 | Lohengrin, WWV 75, Act II Scene 4: Gesegnet soll sie schreiten “Procession to the Cathedral” | 05:32 |
| 76 | Lohengrin, WWV 75, Act II Scene 4/5: Zurück, Elsa! Nicht länger will ich dulden – Heil! Heil dem König! | 08:52 |
| 77 | Lohengrin, WWV 75, Act II Scene 5: O König! Trugbetörte Fürsten! Haltet ein! | 05:35 |
| 78 | Lohengrin, WWV 75, Act II Scene 5: Welch ein Geheimnis muß der Held bewahren? | 04:41 |
| 79 | Lohengrin, WWV 75, Act II Scene 5: Mein Held, entgegne kühn dem Ungetreuen | 06:31 |
| 80 | Lohengrin, WWV 75, Act III: Prelude | 03:20 |
| 81 | Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin “Bridal Chorus” | 05:14 |
| 82 | Lohengrin, WWV 75, Act III Scene 2: Das süße Lied verhallt | 03:51 |
| 83 | Lohengrin, WWV 75, Act III Scene 2: Wie hehr erkenn’ ich unsrer Liebe Wesen! | 07:50 |
| 84 | Lohengrin, WWV 75, Act III Scene 2: Höchstes Vertraun hast du mir schon zu danken | 05:49 |
| 85 | Lohengrin, WWV 75, Act III Scene 2: Ach nein! Doch dort, der Schwan! | 07:09 |
| 86 | Lohengrin, WWV 75, Act III Scene 3: Morgenröte – Heil König Heinrich! | 04:53 |
| 87 | Lohengrin, WWV 75, Act III Scene 3: Was bringen die? Was tun sie kund? | 07:48 |
| 88 | Lohengrin, WWV 75, Act III Scene 3: In fernem Land “Grail Narration” | 05:32 |
| 89 | Lohengrin, WWV 75, Act III Scene 3: Mir schwankt der Boden! | 05:18 |
| 90 | Lohengrin, WWV 75, Act III Scene 3: Mein lieber Schwan! | 08:17 |
| 91 | Carmen, WD 31: Prélude | 02:07 |
| 92 | Carmen, WD 31, Act I: Habanera. L’amour est un oiseau rebelle | 04:30 |
| 93 | Carmen, WD 31, Act II: Toreador’s Song. Votre toast, je peux vous le rendre | 05:07 |
| 94 | Carmen, WD 31, Act II: Chanson bohème. Les tringles des sistres tintaient | 04:45 |
| 95 | Carmen, WD 31, Act II: La fleur que tu m’avais jetée “Flower Song” | 04:13 |
| 96 | Carmen, WD 31, Act III: March and Chorus. Les voici! | 04:11 |
| 97 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | 04:32 |
| 98 | Rapsodie espagnole, M. 54: II. Malagueña | 02:11 |
| 99 | Rapsodie espagnole, M. 54: III. Habanera | 02:39 |
| 100 | Rapsodie espagnole, M. 54: IV. Feria | 06:31 |
| 101 | Carmen Fantasy, Op. 25 | 11:16 |
| 102 | Rhapsody on a Theme of Paganini, Op. 43 | 23:24 |
| 103 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | 02:55 |
| 104 | Le nozze di Figaro, K. 492: Overture | 04:27 |
| 105 | Le nozze di Figaro, K. 492, Act IV: No. 28, Giunse alfin il momento – Deh vieni, non tardar | 03:51 |
| 106 | Don Giovanni, K. 527, Act II: No. 16, Deh vieni alla finestra | 01:58 |
| 107 | Die Zauberflöte, K. 620, Act I: Duet. Bei Männern, welche Liebe fühlen | 02:54 |
| 108 | Don Giovanni, K. 527, Act I: No. 11, Fin ch’han dal vino “Champagne Aria” | 01:27 |
| 109 | Don Giovanni, K. 527, Act I: No. 7, Duet. Là ci darem la mano | 03:01 |
| 110 | 3 German Dances, K. 605: No. 3 in C Major, Trio “Die Schlittenfahrt” | 02:38 |
| 111 | L’Arlésienne, WD 28: Suite No. 1. Carillon – Suite No. 2. Farandole | 07:40 |
| 112 | La forza del destino: Overture (Sinfonia) | 07:40 |
| 113 | Rigoletto, Act I: E il sol dell’anima – Forse mio padre – Addio | 04:46 |
| 114 | Rigoletto, Act I: Caro nome | 04:38 |
| 115 | Rigoletto, Act III: La donna è mobile | 02:14 |
| 116 | Un ballo in maschera, Act III: Eri tu che macchiavi | 04:35 |
| 117 | Eugene Onegin, Op. 24, TH 5, Act I: Letter Scene. Puskai pogilabnu ya, no pryezhde | 13:33 |
| 118 | Eugene Onegin, Op. 24, TH 5, Act III: Polonaise | 04:37 |
| 119 | La traviata, Act I: Libiamo ne’lieti calici “Brindisi” | 03:31 |
| 120 | Le carnaval romain, Overture, H. 95 | 08:30 |
| 121 | Lohengrin, WWV 75, Act III: In fernem Land “Grail Narration” | 05:48 |
| 122 | Lohengrin, WWV 75, Act III: Mein lieber Schwan! | 05:04 |
| 123 | Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön | 03:56 |
| 124 | Die Zauberflöte, K. 620, Act I: Finale. Die Weisheitslehre dieser Knaben… Aria. Wie stark ist nicht dein Zauberton | 10:28 |
| 125 | Fierrabras, D796 / Act 1: “Was quälst du mich…” | 05:57 |
| 126 | Alfonso und Estrella, D.732: “Schon, wenn es beginnt zu tragen…und mein Herz will ihm nach” | 04:40 |
| 127 | Fidelio, Op. 72, Act II: Introduction – Gott! welch Dunkel hier! – In des Lebens Frühlingstagen | 10:42 |
| 128 | Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond “Siegmund’s Love Aria” | 03:51 |
| 129 | Parsifal, WWV 111, Act II: Amfortas! Die Wunde! | 09:11 |
| 130 | Parsifal, WWV 111, Act III: Nur eine Waffe taugt – Höchsten Heiles Wunder! | 09:38 |
| 131 | Langsam – Sehr rasch [Fig. 1] | 05:24 |
| 132 | Sehr rasch [Fig. 38] | 01:59 |
| 133 | Viel langsamer, aber doch fliessend [Fig. 60] | 02:45 |
| 134 | Viel langsamer [Fig. 77] | 03:42 |
| 135 | Etwas bewegter [Fig. 86] | 06:28 |
| 136 | Autoritratto nella notte (1982) | 07:19 |
| 137 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): I. Allegro con spirito | 01:14 |
| 138 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): II. Rubato. Lamentoso | 03:04 |
| 139 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): III. Allegro grazioso | 02:42 |
| 140 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): IV. Presto ruvido | 00:58 |
| 141 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): V. Adagio. Mesto | 02:27 |
| 142 | 6 Bagatelles for Wind Quintet (1953, Arr. from Musica ricercata): VI. Molto vivace. Capriccioso | 01:26 |
| 143 | Double Concerto for Flute, Oboe & Orchestra (1972): I. Calmo, con tenerezza (Live at Kammermusiksaal, Philharmonie Berlin, 1995) | 08:08 |
| 144 | Double Concerto for Flute, Oboe & Orchestra (1972): II. Allegro corrente (Live at Kammermusiksaal, Philharmonie Berlin, 1995) | 07:51 |
| 145 | La traviata, Act I: E strano! Ah, fors’è lui | 04:54 |
| 146 | La traviata, Act I: Sempre libera “Cabaletta” | 03:39 |
| 147 | La sonnambula, Act II: Ah! Se una volta sola | 05:38 |
| 148 | La sonnambula, Act II: Ah! Non credea mirarti | 04:47 |
| 149 | La sonnambula, Act II: Ah! Non giunge uman pensiero | 02:41 |
| 150 | I puritani, Act II: O rendetemi le speme… Qui la voce sua soave | 04:36 |
| 151 | I puritani, Act II: Ah! tu sorridi | 04:02 |
| 152 | I puritani, Act II: Vien, diletto, è in ciel la luna | 02:55 |
| 153 | I Capuleti e i Montecchi, Act I: Eccomi… Oh! quante volte | 09:21 |
| 154 | Lucia di Lammermoor, Act III: O giusto cielo! | 03:18 |
| 155 | Lucia di Lammermoor, Act III: Ohimè! Sorge il tremendo fantasma | 03:15 |
| 156 | Lucia di Lammermoor, Act III: Ardon glI incensi “Mad Scene” | 05:00 |
| 157 | Lucia di Lammermoor, Act III: Spargi d’amaro pianto | 03:37 |
| 158 | Otello, Act IV: Era più calmo? | 04:59 |
| 159 | Otello, Act IV: Piangea cantando “Willow Song” | 07:03 |
| 160 | Otello, Act IV: Ave Maria, piena di grazia “Desdemona’s Prayer” | 05:19 |
| 161 | Gianni Schicchi, SC 88: O mio babbino caro | 02:52 |
| 162 | Donna Diana – Opera in 3 Acts | 04:01 |
| 163 | Brennende Liebe, Polka-mazurka, Op. 129 (Live at Musikverein, Vienna, 1988) | 04:28 |
| 164 | Auf Ferienreisen, Polka schnell, Op. 133 (Live at Musikverein, Vienna, 1988) | 02:28 |
| 165 | Auf der Jagd, Polka, Op. 373 (Live at Musikverein, Vienna, 1988) | 02:26 |
| 166 | Wo die Zitronen blüh’n, Waltz, Op. 364 (Live at Musikverein, Vienna, 1988) | 09:03 |
| 167 | Die Fledermaus: Overture | 08:16 |
| 168 | Neue Pizzikato-Polka, Op. 449 (Live) | 03:39 |
| 169 | Freuet euch des Lebens, Waltz, Op. 340 (Live at Musikverein, Vienna, 1988) | 08:19 |
| 170 | Un ballo in maschera Quadrille, Op. 272 (After Verdi) [Live at Musikverein, Vienna, 1988] | 04:34 |
| 171 | Tritsch-Tratsch Polka, Op. 214 (With Boys’ Choir) [Live at Musikverein, Vienna, 1988] | 02:59 |
| 172 | Leichtes Blut, polka schnell, Op. 319 – vocal version | 02:43 |
| 173 | Seid umschlungen, Millionen!, Waltz, Op. 443 (Live at Musikverein, Vienna, 1988) | 09:37 |
| 174 | Perpetuum mobile, Op. 257 (Live) | 02:57 |
| 175 | Im Fluge, Polka schnell, Op. 230 (Live at Musikverein, Vienna, 1988) | 02:00 |
| 176 | Banditen Galopp, Op. 378 (Live at Musikverein, Vienna, 1988) | 02:43 |
| 177 | An der schönen blauen Donau, Op. 314 (Live) | 09:42 |
| 178 | Radetzky-Marsch, Op. 228 (Arr. by Weninger) | 03:25 |
| 179 | Waldmeister – operetta (1895): Overture | 09:25 |
| 180 | 5 Contredanses “Non più andrai”, K. 609: No. 1 in C Major “Non più andrai” | 00:57 |
| 181 | 5 Contredanses “Non più andrai”, K. 609: No. 3 in D Major | 01:18 |
| 182 | 3 German Dances, K. 605: No. 3 in C Major, Trio “Die Schlittenfahrt” | 02:39 |
| 183 | Die tanzende Muse Op. 266 – Polka mazur (Live) | 04:05 |
| 184 | Galop and Ecossaises, D. 735 (Orch. Maderna): Galop (Live) | 01:39 |
| 185 | Galop and Ecossaises, D. 735 (Orch. Maderna): Ecossaises Nos 1-3, 5-6, 8 (Live) | 01:30 |
| 186 | Die Werber, Op. 103 | 07:20 |
| 187 | Seufzer-Galopp, Op. 9 (Live at Musikverein, Vienna, 1991) | 01:51 |
| 188 | Aquarellen, Waltz, Op. 258 (Live at Musikverein, Vienna, 1988) | 07:51 |
| 189 | Freikugeln – polka schnell, Op. 326 | 02:29 |
| 190 | Carmen-Quadrille op.134 | 04:53 |
| 191 | Kaiserwalzer, Op. 437 (Live at Musikverein, Vienna, 1991) | 10:44 |
| 192 | Furioso-Polka op.260 | 02:14 |
| 193 | Stürmisch in Lieb’ und Tanz – polka schnell, Op. 393 (Live) | 02:08 |
| 194 | An der schönen blauen Donau, Op. 314 | 09:29 |
| 195 | Radetzky-Marsch, Op. 228 (Live) | 03:26 |
| 196 | A Survivor from Warsaw, Op. 46 | 06:52 |
| 197 | Musical Offering, BWV 1079: Ricercar a 6 (Orch. Webern) | 08:03 |
| 198 | Passacaglia for Orchestra, Op. 1 | 09:59 |
| 199 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 1, Etwas bewegt | 01:06 |
| 200 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 2, Bewegt | 01:20 |
| 201 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 3, Zart bewegt | 00:50 |
| 202 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 4, Langsam | 05:09 |
| 203 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 5, Sehr langsam | 02:34 |
| 204 | 6 Pieces for Orchestra, Op. 6 (1909 Original Version): No. 6, Zart bewegt | 01:46 |
| 205 | 5 Pieces for Orchestra, Op. 10: No. 1, Urbild. Sehr ruhig und zart | 00:42 |
| 206 | 5 Pieces for Orchestra, Op. 10: No. 2, Verwandlung. Lebhaft und zart bewegt | 00:34 |
| 207 | 5 Pieces for Orchestra, Op. 10: No. 3, Rückkehr. Sehr langsam und äußerst ruhig | 01:31 |
| 208 | 5 Pieces for Orchestra, Op. 10: No. 4, Erinnerung. Fließend äußerst zart | 00:30 |
| 209 | 5 Pieces for Orchestra, Op. 10: No. 5, Seele. Sehr fließend | 01:01 |
| 210 | Variations for Orchestra, Op. 30 | 07:01 |
| 211 | Départ for Choir and 22 Players (1988) | 08:53 |
| 212 | Atmosphères (1961) | 09:05 |
| 213 | Lontano (1967) | 12:51 |
| 214 | Liebeslied (1954) | 05:07 |
| 215 | Notations: I. Fantasque. Modéré | 02:45 |
| 216 | Notations: IV. Rythmique | 01:21 |
| 217 | Notations: III. Très modéré | 03:32 |
| 218 | Notations: II. Très vif. Strident | 02:19 |
| 219 | No hay caminos, hay que caminar… Andrej Tarkowskij (1987) | 16:55 |
| 220 | Samuel Beckett: What is the Word, Op. 30b | 12:09 |
| 221 | Face de la chaleur – Pt. 1 (1991) | 09:09 |
| 222 | Bildlos/Weglos for Orchestra and 7 Female Voices (1990-1) | 12:40 |
| 223 | Piccola musica notturna | 06:41 |
| 224 | Keqrops for Piano and Orchestra (1986) | 16:47 |
| 225 | Primavera dell’anima (1990) | 10:57 |
| 226 | Boulevard Solitude, Opera (1952): No. 7, Intermezzo | 04:17 |
| 227 | Boulevard Solitude, Opera (1952): No. 11, Intermezzo | 02:42 |
| 228 | Boulevard Solitude, Opera (1952): No. 17, Intermezzo. Andante con moto | 04:44 |
| 229 | Boulevard Solitude, Opera (1952): No. 22, Intermezzo. Vivace | 02:10 |
专辑简介
无论在排练过程中还是面对媒体时，克劳迪奥·阿巴多都一样寡言少语。指挥棒是他向乐团传达对乐器色彩、分句和对乐曲解读要求的工具，也是他传情达意的方式。他最擅长生动诠释穆索尔斯基、威尔第、普罗科菲耶夫和德彪西的作品，同时对舒伯特、门德尔松和马勒的抒情交响风格也信手拈来。1933 年，阿巴多出生在米兰的一个音乐世家，在一次演出中聆听了德彪西奥妙迷人的《夜曲》（1892-1899）后变立志成为指挥家。在那之后，他的音乐品味变得越发多彩。他在 1959 年第一次指挥歌剧，选择的剧目是普罗科菲耶夫奇幻活泼的《The Love for Three Oranges》（三橘之恋，1921），而非经典意大利剧目。尽管本性内向，但阿巴多还是凭借音乐才华赢得了多家顶级交响乐团和歌剧院的首席指挥或艺术总监之职：他曾在伦敦交响乐团、米兰斯卡拉歌剧院（他在那里指挥过 Luigi Nono 等当代作曲家的作品，还培养剧院乐团独立上演音乐会）、维也纳国立歌剧院，以及柏林爱乐乐团。阿巴多本人还召集富有才华的青年演奏家，组建了多个交响乐团，其成员后来又组建了欧洲室内交响乐团和马勒室内交响乐团。阿巴多 2014 年去世，为后世留下了丰富的唱片，也培养出一大群出类拔萃的交响乐演奏家。
