试听
目录
| # | 曲目 | 时长 |
|---|---|---|
|
CD1 |
– | |
| 1 | I Forgot to Be Your Lover | 04:35 |
|
2 |
Joy | 15:55 |
|
3 |
In the Rain | 05:08 |
|
4 |
I Could Never Be Happy | 03:28 |
|
5 |
Don’t Take My Kindness for Weakness | 02:56 |
|
6 |
I’m Afraid the Masquerade Is Over | 09:42 |
|
7 |
Sing a Simple Song | 03:32 |
|
8 |
Packed up and Took My Mind | 03:58 |
|
9 |
Poverty’s Paradise | 12:40 |
|
10 |
I’ll Play the Blues for You | 07:17 |
|
11 |
All It Takes Is You and Me | 03:31 |
|
12 |
As Long as I’ve Got You | 03:15 |
|
CD2 |
– | |
| 1 | I Forgot to Be Your Lover | 02:19 |
|
2 |
Ike’s Mood 1 | 06:28 |
|
3 |
Move Over | 02:55 |
|
4 |
Hang on Sloopy | 11:10 |
|
5 |
Steal Away | 03:27 |
|
6 |
Cold Feet | 02:45 |
|
7 |
Why Marry | 06:28 |
|
8 |
I Like It | 02:28 |
|
9 |
Keep the Faith | 03:55 |
|
10 |
Walk on By | 12:02 |
|
11 |
L.A. Jazz Song | 04:19 |
|
12 |
Children, Don’t Get Weary | 03:33 |
专辑简介
The RZA\’s tracks drip sweat. They\’re dusty and menacing. They get right up in your grill and and dare you to say something. His loops are often truncated in the oddest places, like two puzzle pieces that don\’t quite fit together but make the illest design.
In the early \’90s, The RZA, then know as Prince Rakeem, had begun making music for his then new Staten Island (aka Shaolin) based supergroup, Wu-Tang Clan. When Enter The 36 Chambers was finally released in late \’93, the effect was seismic. The RZA\’s \”awkward\” combination of rugged drums and off-center loops formed the foundation of a unique sound that would inspire a whole new generation of samplists, as well as set off searches for the components of those loops.
As the nature of this Shaolin style became more defined, it became clear that the sounds of the South, and in Memphis especially, seemed to hold a particular draw for The RZA and other disciples of his style. It was in Memphis that the recording studios of STAX Records were based. The records that STAX issued had a certain tone and swing that perfectly complimented The RZA\’s gritty, down-to-earth style.
