目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Nocturnes, Op. 9: No. 1 in B-Flat Minor | 00:05:20 48M |
| 2 | Nocturnes, Op. 9: No. 2 in E-Flat Major | 00:04:20 39M |
| 3 | Nocturnes, Op. 9: No. 3 in B Major | 00:06:42 61M |
| 4 | Nocturnes, Op. 15: No. 2 in F-Sharp Major | 00:03:51 35M |
| 5 | Nocturnes, Op. 15: No. 3 in G Minor | 00:04:57 44M |
| 6 | Nocturnes, Op. 27: No. 1 in C-Sharp Minor | 00:05:32 51M |
| 7 | Nocturnes, Op. 27: No. 2 in D-Flat Major | 00:06:07 56M |
| 8 | Nocturnes, Op. 32: No. 1 in B Major | 00:04:35 42M |
| 9 | Nocturnes, Op. 37: No. 1 in G Minor | 00:06:14 55M |
| 10 | Nocturnes, Op. 37: No. 2 in G Major | 00:06:47 59M |
| 11 | Nocturnes, Op. 48: No. 1 in C Minor | 00:05:46 52M |
| 12 | Nocturnes, Op. 48: No. 2 in F-Sharp Minor | 00:07:11 63M |
| 13 | Nocturnes, Op. 55: No. 1 in F Minor | 00:05:34 49M |
| 14 | Nocturne No. 19 in E Minor, Op. 72 , No. 1 | 00:04:41 41M |
| 15 | Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto (Remastered) | 00:06:13 51M |
| 16 | Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: II. Allegretto (Remastered) | 00:02:40 23M |
| 17 | Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 “Moonlight”: III. Presto agitato (Remastered) | 00:06:45 60M |
| 18 | Scherzo No. 1 in B Minor, Op. 20 | 00:09:07 84M |
| 19 | Scherzo No. 2 in B-Flat Minor, Op. 31 | 00:09:46 92M |
| 20 | Scherzo No. 3 in C-Sharp Minor, Op. 39 | 00:07:17 68M |
| 21 | Sonata No. 8 in C Minor, Op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio (Remastered) | 00:08:49 77M |
| 22 | Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile (Remastered) | 00:05:41 47M |
| 23 | Sonata No. 8 in C Minor, Op. 13 “Pathétique”: III. Rondo. Allegro (Remastered) | 00:04:49 41M |
| 24 | Sonata No. 23 in F Minor, Op. 57 “Appassionata”: I. Allegro assai (Remastered) | 00:09:29 85M |
| 25 | Sonata No. 23 in F Minor, Op. 57 “Appassionata”: II. Andante con moto (Remastered) | 00:06:32 56M |
| 26 | Sonata No. 23 in F Minor, Op. 57 “Appassionata”: III. Allegro ma non troppo (Remastered) | 00:07:57 71M |
| 27 | Ballade No. 1 in G Minor, Op. 23 | 00:09:22 87M |
| 28 | Ballade No. 2 in F Major, Op. 38 | 00:06:42 61M |
| 29 | Ballade No. 3 in A-Flat Major, Op. 47 | 00:07:19 66M |
| 30 | Sonata No. 26 in E-Flat Major, Op. 81a “Les Adieux”: I. Adagio – Allegro (Remastered) | 00:07:42 68M |
| 31 | Sonata No. 26 in E-Flat Major, Op. 81a “Les Adieux”: II. Andante espressivo (Remastered) | 00:03:24 29M |
| 32 | Sonata No. 26 in E-Flat Major, Op. 81a “Les Adieux”: III. Vivacissimamente (Remastered) | 00:05:40 51M |
| 33 | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | 00:08:37 79M |
| 34 | Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | 00:08:09 77M |
| 35 | Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave | 00:05:31 55M |
| 36 | Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo | 00:06:38 64M |
| 37 | Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | 00:08:36 81M |
| 38 | Prelude in E Minor, Op. 28, No. 4 | 00:02:06 20M |
| 39 | Prelude in F-Sharp Minor, Op. 28, No. 8 | 00:01:59 19M |
| 40 | Prelude in D-Flat Major, Op. 28, No. 15 “Raindrop” | 00:04:57 48M |
| 41 | Prelude in B-Flat Major, Op. 28, No. 21 | 00:01:37 16M |
| 42 | Prelude in F Major, Op. 28, No. 23 | 00:01:24 13M |
| 43 | Intermezzo Op. 118, No. 2, in A | 00:05:01 41M |
| 44 | Preludes, Book II, L. 123: No. 8, Ondine | 00:03:13 27M |
| 45 | Three Scenes from Petrouchka [Arr. for Piano]: Russian Dance | 00:02:30 23M |
| 46 | Three Scenes from Petrouchka [Arr. for Piano]: Petrouchka’s Cell | 00:04:10 35M |
| 47 | Three Scenes from Petrouchka [Arr. for Piano]: The Shrove-tide Fair | 00:08:01 69M |
| 48 | Etude in C Minor, Op. 10, No. 12 ”Revolutionary” | 00:02:50 27M |
| 49 | Mazurka in D Major, Op. 33, No. 2 | 00:02:48 23M |
| 50 | Polonaise No. 6 in A-Flat Major, Op. 53 ”Heroic” | 00:07:17 69M |
专辑简介
阿图尔·鲁宾斯坦（Arthur Rubinstein）是美籍波兰裔犹太人，著名钢琴演奏家。1887年1月28日生于波兰罗兹，1982年12月20日卒于日内瓦。
同为波兰人的鲁宾斯坦对肖邦钢琴作品的诠释为世界所公认。他一生中曾数度录制肖邦各种重要作品，体裁涵盖广泛。在一次又一次的录音中，他逐渐接近了肖邦音乐的本质，进入肖邦音乐中无垠境界与丰富意境的中心，排除一切不必要的矫饰、花腔与身段，达到纯粹的音乐表现境界。
鲁宾斯坦的演奏曲目并不局限于肖邦的作品。在演奏风格上，他对于古典乐曲倾向华丽而不炫技。
本专辑的50首乐曲均为鲁宾斯坦本人演绎，曲目以肖邦和贝多芬的经典作品为主，如肖邦的十数首夜曲与贝多芬的钢琴奏鸣曲《月光》和《悲怆》，兼带有勃拉姆斯、德彪西、斯特拉文斯基的部分代表作。
“对艺术而言，完美是不可能出现的，因为完美出现的同时也代表着死亡。在我的观念里，一场真正好的音乐会（或许我曾经演奏过这样的音乐会，或许没有）就像一扇小窗，它希望有更好的东西出现，即真正的快乐。这是我的梦想，我的白日梦，我希望能在音乐会后告诉大家：你们还有耐心听我再弹一曲吗?我希望我可以弹得更好，就是现在！”——鲁宾斯坦。
