目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Trio Sonata in D Minor, Op. 4 No. 1：I. Adagio | 00:03:21 |
| 2 | Trio Sonata in D Minor, Op. 4 No. 1：II. Allegro ma non tropo | 00:02:50 |
| 3 | Trio Sonata in D Minor, Op. 4 No. 1：III. Largo | 00:02:30 |
| 4 | Trio Sonata in D Minor, Op. 4 No. 1：IV. Allegro | 00:02:25 |
| 5 | Sonata No. 6 in D Major, Op. 50：I. Largo | 00:04:37 |
| 6 | Sonata No. 6 in D Major, Op. 50：II. Allegro | 00:03:10 |
| 7 | Sonata No. 6 in D Major, Op. 50：III. Larghetto | 00:02:07 |
| 8 | Sonata No. 6 in D Major, Op. 50：IV. Allegro | 00:02:33 |
| 9 | Trio Sonata in B Minor, Op. 3 No. 3：I. Prélude, Lentement | 00:02:04 |
| 10 | Trio Sonata in B Minor, Op. 3 No. 3：II. Fugue, Gai | 00:01:22 |
| 11 | Trio Sonata in B Minor, Op. 3 No. 3：III. Lentement et Doux | 00:02:38 |
| 12 | Trio Sonata in B Minor, Op. 3 No. 3：IV. Chaconne Gracieuse | 00:03:14 |
| 13 | 12 Violin Sonatas: No. 4 in E Minor：I. Gracieusement | 00:01:57 |
| 14 | 12 Violin Sonatas: No. 4 in E Minor：II. Viste | 00:01:38 |
| 15 | 12 Violin Sonatas: No. 4 in E Minor：III. Récit – Gai | 00:03:57 |
| 16 | 12 Violin Sonatas: No. 4 in E Minor：IV. Viste | 00:01:42 |
| 17 | 12 Violin Sonatas, Livre 2: No. 12 in E Major：I. Adagio | 00:03:10 |
| 18 | 12 Violin Sonatas, Livre 2: No. 12 in E Major：II. Courente | 00:03:44 |
| 19 | 12 Violin Sonatas, Livre 2: No. 12 in E Major：III. Sicilienne | 00:05:26 |
| 20 | 12 Violin Sonatas, Livre 2: No. 12 in E Major：IV. Rondeau | 00:03:38 |
| 21 | Ouvertures and Trio Sonatas, Op. 13: Sonata No. 2 in B Minor：I. Largo | 00:03:23 |
| 22 | Ouvertures and Trio Sonatas, Op. 13: Sonata No. 2 in B Minor：II. Allegro ma non tropo | 00:03:06 |
| 23 | Ouvertures and Trio Sonatas, Op. 13: Sonata No. 2 in B Minor：III. Largo | 00:01:58 |
| 24 | Ouvertures and Trio Sonatas, Op. 13: Sonata No. 2 in B Minor：IV. Allegro | 00:02:50 |
专辑简介
We are around the time of the Regency, at the political crossroads between Louis XIV and Louis XV. The viola da gamba was enjoying its last hours of glory in France, while the violin was beginning to take centre stage.The Golden Hour, which generally refers to the periods after sunrise and before sunset when the light changes, evokes here those years of convergence, even confrontation, between a viola da gamba in the twilight of its life and a violin at the dawn of its soloist destiny.
