目录
| # | 曲目 | 时长 |
|---|---|---|
|
1 |
Histoire du Tango (Version for Violin & Guitar)：I. Bordel 1900 | 00:04:06 |
|
2 |
Histoire du Tango (Version for Violin & Guitar)：II. Café 1930 | 00:07:14 |
|
3 |
Histoire du Tango (Version for Violin & Guitar)：III. Nightclub 1960 | 00:05:56 |
|
4 |
Histoire du Tango (Version for Violin & Guitar)：IV. Concert d’aujourd’hui | 00:03:05 |
|
5 |
Cantabile, Op. 17, MS 109 | 00:03:54 |
|
6 |
Dance in the Madhouse (Version for Violin & Guitar)：I. Tango Solitaire | 00:04:10 |
|
7 |
Dance in the Madhouse (Version for Violin & Guitar)：II. Waltz for the Old Folks | 00:01:59 |
|
8 |
Dance in the Madhouse (Version for Violin & Guitar)：III. Ballad for the Lonely | 00:04:11 |
|
9 |
Dance in the Madhouse (Version for Violin & Guitar)：IV. Samba! | 00:02:20 |
|
10 |
Violin Partita No. 1 in B Minor, BWV 1002：VIII. Double (Arr. for Violin & Guitar by Letitia Jap & Kyle Thompson) | 00:03:31 |
专辑简介
Kyle Thompson was born in Chicago on January 11th, 1992. He began taking photographs at the age of nineteen after finding interest in nearby abandoned houses. His work is mostly composed of self portraits, often taking place in empty forests and abandoned homes.
His work encapsulates the ephemeral narrative, a nonexistent story line that only lives for a split moment. These images show the collapse of narrative, as there is no defined story line with a beginning and end; instead, these images create a loop. This fleeting moment lives on in a constant unchanging state. By diverting the view of the face, the images become more ambiguous, the viewer is no longer able to tie a defined story line to the image.
