目录
# | 曲目 | 时长 |
---|---|---|
1 |
Concerto for Three Harpsichords, Strings and Continuo in C Major, BWV 1064:I. […] | 00:06:06 |
2 |
Concerto for Three Harpsichords, Strings and Continuo in C Major, BWV 1064:II. Adagio | 00:05:26 |
3 |
Concerto for Three Harpsichords, Strings and Continuo in C Major, BWV 1064:III. Allegro | 00:04:33 |
4 |
Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063:I. […] | 00:04:53 |
5 |
Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063:II. Alla Siciliana | 00:04:18 |
6 |
Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063:III. Allegro | 00:04:48 |
7 |
Concerto for Four Harpsichords, Strings and Continuo in A Minor, BWV 1065:I. […] | 00:03:45 |
8 |
Concerto for Four Harpsichords, Strings and Continuo in A Minor, BWV 1065:II. Largo | 00:02:01 |
9 |
Concerto for Four Harpsichords, Strings and Continuo in A Minor, BWV 1065:III. Allegro | 00:03:18 |
10 |
Brandenburg Concerto No. 3 in G Major, BWV 1048 (Arr. for 4 Harpsichords by Bertrand Cuiller):I. […] | 00:05:28 |
11 |
Brandenburg Concerto No. 3 in G Major, BWV 1048 (Arr. for 4 Harpsichords by Bertrand Cuiller):II. Adagio | 00:00:15 |
12 |
Brandenburg Concerto No. 3 in G Major, BWV 1048 (Arr. for 4 Harpsichords by Bertrand Cuiller):III. Allegro | 00:04:50 |
专辑简介
Rarely recorded, Johann Sebastian Bach’s Concertos for Three and Four Harpsichords illustrate the art of writing for keyboard and strings of which the composer was a pioneer. These emblematic works, characterized by a balance between strong themes and abundant internal energy, are performed by virtuoso harpsichordists from the new generation of Baroque musicians: Violaine Cochard, Olivier Fortin, Pierre Gallon, Jean-Luc Ho and, for the first time, the young Croatian harpsichordist Davor Krkljus, accompanied by the strings of Le Caravansérail under the direction of Bertrand Cuiller on harpsichord.
The album also includes a previously unreleased transcription for four harpsichords of the famous Brandenburg Concerto No. 3, by Bertrand Cuiller.